"Bad. Bad. Bad." | 2006-07-25 |
| - Reviewed By aaaaaa6r656r |
| No emotional depth and doesn't seem to capture the spirit of the songs. Some variation on Cohen's songs are very good but this collection doesn't achieve the spirit of the music on any level. |
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"A classic album in its own right, a must have in your collection!" | 2005-08-11 |
| - Reviewed By User: A1K2Y6SWCQ70VO |
| Forget about who wrote the songs, forget about trying to make comparisons, forget about whether or not the performances were worthy of a tribute. Simply take it as music. Leonard Cohen wrote great songs that here shows they were also great POP songs. So if you're into great music, especially pop songs, and can listen to music without biases or prejudices then you must pick up this disc. The first track "First We Take Manhattan" clearly exemplifies this. While a R.E.M. fan, this song is one of my favorites by them. Mike Mills as co-vocalist with lead singer Michael Stipes makes this an incredible track. Ian McCulloch has an incredible voice and this shows on "Hey That's No Way....". "I Can't Forget" sounds like any other great Pixies track. There are many other stand out tracks like That Petrol Emotion's "Stories of the Street," "Don't Go Home...," "Chelsea Hotel," "Hallelujah," and my favorite: Dead Famous People's "True Leaves No Traces," which transforms Cohen's beautiful lyrics into just a gorgeous pop song. Enjoy! |
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"A middling tribute album" | 2004-07-11 |
| - Reviewed By cynarae |
| After spending the last few years wandering other musical landscapes, I rediscovered Leonard Cohen this year (years after being a mega LC geek in school) and especially wanted to seek this album out again. Compared to Famous Blue Raincoat (much shorter but much, much more luminous), I'm Your Fan is middling. What's up with the two covers of Tower of Song? Why is the cover of Suzanne so freaking boring? But then there are the beautiful plusses -- A Singer Must Die, the funky cover of Don't Go Home With Your Hard-On (who wouldn't want to hear THAT at a wedding?) and the oft-mentioned version of Hallelujah. I really like the French version of Avalanche (I didn't get the original for many years after this and was very surprised as my hand translated version was very different). Bottom line: if you want 1 LC tribute CD, get Jennifer Warnes's. If you want 2, get this one too. |
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"A must have" | 2003-12-10 |
| - Reviewed By temptor-o-the-ancients |
| I bought this CD when it first came out in the 90's, as part of my R.E.M comprehensive collection. Since that time, this has stayed constantly near or in my CD player. Each interpretation of his songs highlights the beauty of the lyric he composed. I would be hard pressed to find a favorite track. I am a die hard R.E.M fan, but I don't think theirs is the best (near the top, maybe). But I would have to agree with most about The Pixies rendition of "I Can't Forget". |
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"not the best cd in the world" | 2003-03-26 |
| - Reviewed By simoril |
| i got this as a gift, and since i enjoy leonard cohen music, i expected to enjoy this too, it's wasn't too dissapointed, but most of the interpetations to his songs are either trying to sounds just like leonard cohen or just too strange or unfit to the songs in my eyes. if anyone's looking to a good introduction to leonard cohen, i suggest "the best of" or just spending your money on any other leonard cohen cd, in this case i think, the sorce's still much superiour to the reflection, yes, the nick cave interpetation is great, but it doesn't justify getting the whole cd. |
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"Worth the price just for three songs alone" | 2003-01-06 |
| - Reviewed By downgrade |
1. That Petrol Emotion doing "Stories of the Street" 2. A raucous "Don't Go Home With Your Hard-on" by David McComb and Adam Peters 3. The now classic version of "Hallelujah" by John Cale.Like many tribute albums, this has its down moments (REM sounds like a self-parody here) and its mediocre moments (Lloyd Cole does a "nothing to write home about" version of "Chelsea Hotel"). But most of these tracks give us different, often intriguing interpretations of some superb music. The fact that they can withstand these differing perspectives certainly speaks to the integrity and overall excellence of these songs. |
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"A different light" | 2001-11-23 |
| - Reviewed By User: A1ZVILKAMOWZW8 |
| There are two schools of thought when considering tribute albums. Make sure the artists don't do too much with the song so that it's unrecognizable and second don't do too little so that it sounds too similar. This one strikes a near perfect balance. I particularly like the inclusion of (now) fairly anonymous bands who Cohen has actually influenced: Pixies, Lilac Time, Fatima Mansions, That Petrol Emotion etc. My favorite song on the album: The Pixies' devastating rendering of "I can't forget" which has the punch of their own material yet keeping the lyric right up front (where it belongs in any Cohen song). Jeffrey Oryema's take on Suzanne has forever altered how I listened to Cohen's original. Lloyd Cole's version of "Chelsea Hotel" is the perfect blend of the two qualities of tribute albums that I mentioned earlier: not too much, not too little. This album is well worth a try for those who are fans of Cohen (like myself) and also for people who are looking for a alternative entry way to listening and understanding one of the finest songwriters of our time. |
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"A Wide Variety of Stylistic Interpretations" | 2000-06-09 |
| - Reviewed By dev1 |
| I've never been a big fan of Leonard Cohen singing Leonard Cohen for two reasons. One, his voice is dry, husky and nonmusical. Cohen's delivery is closer to a speaking recital than popular singing. Second, his high-art intellectual poetry is generally moody and dark. Overall, the result of Cohen doing Cohen is usually weary and depressing. Interpretations of Cohen's material by other artists (especially nonfolk-poet artists) can be entertaining, moving and inspirational. I'm Your Fan offers such a variety. The Pixies `I Can't Forget' is a screaming guitar rocker with a group of ladies singing lovely harmony vocals. The romantic crooner Lloyd Cole gently rocks `Chelsea Hotel.' For luscious vocal harmonies, try `True Love Leaves No Traces' by Dead Famous People. R.E.M's powerful `First We Take Manhattan' sounds threatening and ominous. And moving from bands to folk balladeers, my favorite artists include Geoffrey Oryema's dreamy rendition of `Suzanne,' French artist Jean-Louis Murat with a very mysterious `Avalanche IV,' and the childlike `Who By Fire' by the House Of Love.' Finally, John Cale's `Hallelujah' is spiritually moving. Because of the wide variety of stylistic interpretations, I'm Your Fan lacks the continuity found on Cohen's own albums. However, if you favor the pure poetry of I'm Your Fan, you may find Leonard Cohen's original work worthwhile. |
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