Alan Lomax - Black Texicans: Balladeers And Songsters Of The Texas Frontier

South Carolina

Bahamas 1935

Bahamas 1935 Volume 2

Mississippi: The Blues Lineage

Mississippi: Saints and Sinners

Georgia

Big Brazos

Black Appalachia

Virginia and the Piedmont

Alabama

I bought the entire Deep River Of Song series all at once. So many surprises awaited me! Some discs I thought about not buying because maybe I wouldn't be into them, and some I assumed I'd love. This was one of the discs I was iffy on. Until I heard it.

This and Big Brazos are two of the best discs in the series, in my opinion. They are also two I originally thought maybe I wouldn't like. Moses "Clear Rock" Platt is great. I particularly love his Old Chisholm Trail, which happens to be the source for Mike Seeger's Whoopin' Up Cattle on his excellent solo cd, Southern Banjo Sounds. James "Ironhead" Baker's St. James Hospital, which was clearly the source for Doc Watson and Tony Rice's excellent versions (on the Doc Watson and Native American albums, respectively), haunts me. Ironhead is a true highlight of this disc.

This disc also contains my one exposure to "eephing". An odd vocal thing that defies description. In terms of musicianship... guitar playing... Smith Casey is the hidden gem of this collection. His East Texas Rag is sublime acoustic slide guitar. He certainly could have earned more tracks here. I also particularly enjoy Phineas "Flatfoot" Rockmore's Boll Weevil done to a familiar Frankie & Johnny melody.

Of course if you are into American history (the true history, not the white-washed garbage that still gets taught in American schools) then these recordings become all that more meaningful. Imagine a song that dates back to slavery being sung by a group of prisoners in the 1930's, one of the harshest era's within the Jim Crow Era.

I love this disc, but the official review on this site is correct. It may only appeal to roots fanatics. I fear most of it is just too rough for the modern listener who is used to everything being more polished. I just want people to take that into account. I'd hate to recommend something and find out someone was disappointed when they heard it for themselves. If you don't like field-recordings of true real-people folk music, then this is probably not for you.

South Carolina

Bahamas 1935

Bahamas 1935 Volume 2

Mississippi: The Blues Lineage

Mississippi: Saints and Sinners

Georgia

Big Brazos

Black Appalachia

Virginia and the Piedmont

Alabama

I bought the entire Deep River Of Song series all at once. So many surprises awaited me! Some discs I thought about not buying because maybe I wouldn't be into them, and some I assumed I'd love. This was one of the discs I was iffy on. Until I heard it.

This and Big Brazos are two of the best discs in the series, in my opinion. They are also two I originally thought maybe I wouldn't like. Moses "Clear Rock" Platt is great. I particularly love his Old Chisholm Trail, which happens to be the source for Mike Seeger's Whoopin' Up Cattle on his excellent solo cd, Southern Banjo Sounds. James "Ironhead" Baker's St. James Hospital, which was clearly the source for Doc Watson and Tony Rice's excellent versions (on the Doc Watson and Native American albums, respectively), haunts me. Ironhead is a true highlight of this disc.

This disc also contains my one exposure to "eephing". An odd vocal thing that defies description. In terms of musicianship... guitar playing... Smith Casey is the hidden gem of this collection. His East Texas Rag is sublime acoustic slide guitar. He certainly could have earned more tracks here. I also particularly enjoy Phineas "Flatfoot" Rockmore's Boll Weevil done to a familiar Frankie & Johnny melody.

Of course if you are into American history (the true history, not the white-washed garbage that still gets taught in American schools) then these recordings become all that more meaningful. Imagine a song that dates back to slavery being sung by a group of prisoners in the 1930's, one of the harshest era's within the Jim Crow Era.

I love this disc, but the official review on this site is correct. It may only appeal to roots fanatics. I fear most of it is just too rough for the modern listener who is used to everything being more polished. I just want people to take that into account. I'd hate to recommend something and find out someone was disappointed when they heard it for themselves. If you don't like field-recordings of true real-people folk music, then this is probably not for you.