Brahms: Ein deutsches Requiem Op45
Brahms: Ein deutsches Requiem Op45

Brahms: Ein deutsches Requiem Op45

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Angel

UPC:
724356695528

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Product Specifications
Product NameBrahms: Ein deutsches Requiem Op45
ManufacturerAngel
Product Number MPN724356695528
Retail Price $11.98
EAN-1400724356695528
UPC724356695528
Specifications 
Release Date1999-01-12
FormatAudio CD
Artist(s)Johannes Brahms, Elisabeth Schwarzkopf, Otto Klemperer, Dietrich Fischer-Dieskau
AlbumBrahms: Ein deutsches Requiem Op45
Tracks
  1. A German Requiem Op.45: Selig sind, die da Leid tragen
  2. A German Requiem Op.45: Denn alles Fleisch es ist wie Gras
  3. A German Requiem Op.45: Herr, lehre doch mich
  4. A German Requiem Op.45: Wie lieblich sind deine Wohnungen
  5. A German Requiem Op.45: Ihr habt nun Traurigkeit
  6. A German Requiem Op.45: Denn wir haben hie keine bleibende Stadt
  7. A German Requiem Op.45: Selig sind die Toten
Num. of Items1
Record LabelAngel Records
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Reviews
5 Star Rating  "Worth it for tracks 1,2 and 6"2008-08-29
- Reviewed By User: A3CYTNB1XKX0NB
Sound quality might be lacking, however the soul of the performance is what counts. There is a great feel to the opening track. Each time I hear it, it completely changes any mood I'm in. The orchestra and chorus breathes together, and Klemperer did a fine job on these tracks. If your not nuts about this, try Karajan's earlier recordings.
*It seems ridiculous that people will write reviews to argue like children with each other on this website.
 
5 Star Rating  "don't believe the haters"2008-04-07
- Reviewed By mochamon
If you own ten different recordings of this, you might find something to criticize. I own two - I'm still a fairly normal person - and this is the one I prefer. (The other is by Robert Shaw - and I think the orchestra is a little less powerful on that one. I plan to get more and compare them.)

Regardless of which recording you get, this will kick your butt. This is some of the very best classical music I know, especially the second track, which makes me want to believe in God just so I can beg for forigviness.


 
5 Star Rating  "A must-buy for Brahms lovers"2007-11-19
- Reviewed By pyramidcvv
Klemperer recorded Brahms Requiem in 1961, the same year he recorded the Bach St Matthew Passion (with an identical cast).

Like many have said before me, this is an exemplary album. A robust, full-bodied chorus, two magnificent soloists, and a superb orchestra, all presented in their best light by outstanding engineering: this is truly an album to savor.

At the time of this writing, I found two 1-star reviews and one 2-star review. They basically were dissatisfied with the album's sound quality and Dieskau's performance.

I considered the sound in the Brahms to be very much on par with Klemperer's recording of St Matthew Passion, which I thought sounded quite good. In fact, many listeners may be tempted as I was to turn up the volume while listening to this Brahms disc.

The tempos taken by Dieskau sounded comparable to other Brahms recordings I've heard of similar length (Robert Shaw, James Levine). His manner of singing is the way Dieskau sings in all of his records. Fans who like Dieskau want more of the same. Here, they get it.

It took me a few hearings to appreciate Elisabeth Schwarzkopf. In her 1947 recording with Karajan, she seemed too reserved for my taste. Her approach didn't change much by 1961, but what became more audible was the sheer beauty of her unique sound. That was what finally got me hooked.

Texts and translations included.
 
5 Star Rating  "Terrifying!"2007-11-07
- Reviewed By rsteinb615
Klemperer's Brahms German Requiem is for those who value the nobility and courage in this music, and who eschew the kind of saccharine senimentality that Karajan could bring to this score. I used to love the 1947 Karajan with Schwarzkopf and Hotter, but now it takes back seat to Klemperer's. The Second Movement, "Denn alles Fleisch, es ist wie Gras," has never sounded so frightening and bitter as under his hands. Anyone who thinks that "Mistah Klemps" was a stolid, unfeeling conductor should hear this recording. It's the best!
 
5 Star Rating  "Real Brahms"2007-06-24
- Reviewed By hopeforthefuture
He understand Brahms and the performances are superb. Buy this recording and you will be very happy.
 
5 Star Rating  "Glorious Music"2007-03-29
- Reviewed By User: A7QV4YS6ALHIE
I purchased this CD for practicing the Requiem for a concert that will be performed this weekend. I am a soprano. It is wonderful for any of you who need to choose from other CDs of this piece for this purpose. For any who do not either play or sing, you will still be transported by the beautiful sound! While most requiems point to sorrow. This one by Brahms shows us the joy of life.
 
5 Star Rating  "A "Regular People" Review"2007-01-31
- Reviewed By konstantin011
Brahms German Requiem is a great piece of music, this isn't nearly as intense as Verdi or Mozart's Requiems and not as tame at Faure's. It fits nicely in between. I can't say anything about the recording because this is the only one I've ever heard, but there are no complaints here. If you like semi dramatic choral music, (if you want super dramatic go for Verdi's Requiem!) give it a try....and keep me updated!
 
5 Star Rating  "Brahms: Ein Deutsches Requiem"2006-08-23
- Reviewed By sandersen23
Brahms was a fabulous composer. I think his Requiem is a very musical piece including the beautiful voices.

I would recommend to anyone who loves good classical music.
 
5 Star Rating  "Died and gone to heaven"2005-09-20
- Reviewed By critical-of-all
Seven stars, at least. I love Brahms and have many fine recordings of his major works, some very different from one another. In most cases I cannot say that one recording of a work is the best, except for this recording of the German Requiem. Wonderful. Klemperer, Fischer-Dieskau and Schwarzkopf are special together on this fine recording.
 
2 Star Rating  "Bah!"2004-05-25
- Reviewed By kirth-gersen
The tempo of 'Herr, Lehre doch mich', not to mention Fischer-Dieskau's typically pretentious and self concious phrasing, is ludicrous.

Wolfgang Meyer, Jose van Dam and Samuel Ramey all leave poor ole Fischer for dead. In my world this recording just doesn't cut the mustard. Klemperer, as ever, reminds us 'subtle' was not part of his vocabulary.

 
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