Count Basie - April in Paris
Count Basie - April in Paris

Count Basie - April in Paris
Manufacturer:
Polygram Records

UPC:
731452140227

Retail Price:
$18.98

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Count Basie - April in Paris Specs:
Product NameCount Basie - April in Paris
ManufacturerPolygram Records
Product Number MPN731452140227
Retail Price $18.98
EAN-130731452140227
EAN-1400731452140227
UPC731452140227
Specifications 
Release Date1997-06-24
FormatAudio CD, CD
Artist(s)Count Basie, Count Basie & His Orchestra
AlbumApril in Paris, April In Paris [Remaster]
Tracks
  1. April In Paris
  2. Corner Pocket
  3. Didn't You?
  4. Sweetie Cakes
  5. Magic
  6. Shiny Stockings
  7. What Am I Here For?
  8. Midgets
  9. Mambo Inn
  10. Dinner With Friends
  11. April In Paris
  12. Corner Pocket
  13. Didn't You?
  14. Magic
  15. Magic
  16. What Am I Here For?
  17. Midgets
Num. of Items1
Record LabelVerve, Polygram Records
GenreBig Band
Deal first added on:24-February-2004
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Latest 6 Reviews
Here is what people are saying about the Count Basie - April in Paris
5 Star Rating  "A classic Basie L.P."2009-06-08
- Reviewed By User: AEZNM3UCUIUCX
I had purchased the original Clef album over 30 years ago. The C.D. sounds great, and is an important part of the Basie legacy. Thanks Amazon
 
5 Star Rating  "Simply a classic"2008-11-16
- Reviewed By User: A64JV9BE1J94
There are a few jazz records that I find myself returning to again and again and this is one of them. My whole family likes it when I play it. I love the early kansas city swing stuff even more than this, but this is great stuff from the 50's. If you buy it you'll find yourself playing it one more once...

Alright, that was cheesy, but it is still a great album.
 
5 Star Rating  "TRUE DESERT ISLAND DISC"2007-09-14
- Reviewed By computerjazz2
THIS IS ONE OF COUNT BASIE'S BEST AND MOST FAMOUS ALBUMS, MADE BACK IN THE MID 1950'S WHEN HE PUT TOGETHER HIS "NEW TESTAMENT" BAND, A SCALED DOWN VERSION OF A TRADTIIONAL BIG BAND (NOW 10 PIECES). GREAT ARRANGEMENTS, GREAT ORCHESTRATION, GREAT SOUND AND A VERY TIGHT BAND PLAYING THEIR HEARTS OUT. EVERY SONG SWINGS TO THE NTH DEGREE.
 
5 Star Rating  "a milestone"2007-05-05
- Reviewed By moonlullabybooks
"April in Paris", a landmark album worthy of its acclaim, is a benchmark recording in the Count Basie catalog for a number of reasons. The album marks the return of Count Basie to the big band scene, with some new players and tunes that knocked the socks off of audiences everywhere. The elegantly robust opener on this 1956 release for Verve is a forever famous one, a standard that continues being played even today. "Corner Pocket" is almost as celebrated as the previous title track, with sections of musicality that are so sweeping listeners will find themselves pleasantly lost for a few moments.

"Didn't You?" is an impressive number chased by the whole gang, sure to get everyone swinging and tapping them toes. Basie opens things up for us with a saunter on "Sweetie Cakes", with horns and strings in hot pursuit of his lead. Skip ahead to "Shiny Stockings" to invoke that feeling of yesterday, where cats like Basie reigned supreme on stage. This 20-bit digital transfer from the Verve master edition, complete with bonus alternate takes and new liner notes, is a must own for the serious jazz collector.

Personnel:

Count Basie (piano), Joe Newman (trumpet, arrangements), Wendell Culley, Reunald Jones, Thad Jones (trumpets), Henry Coker, Bill Hughes, Benny Powell (trombone), Marshall Royal (clarinet, alto sax), Bill Graham (alto sax), Frank Wess (flute, clarinet, alto sax, tenor sax, arrangements), Frank Foster (tenor sax, clarinet, arrangements), Charlie Fowlkes (baritone sax), Freddie Green (guitar, arrangements), Eddie Jones (bass), Sonny Payne (drums), Jose Mangual and Ubaldo Bieto (percussions).

Original Producer: Norman Granz
Total Time: 68:06
Date: July 1955 and January 1956
20-bit high resolution digital transfer
 
5 Star Rating  "Good outtakes"2001-12-18
- Reviewed By hschwab
This is one of the few discs where the outtakes are worthwhile. Usually, the differences are minor, and often I have trouble distinguishing one take from another. But here, they reveal Basie's re-working of some of the cuts at a basic level. The three takes of "Magic", for example, display radically different approaches to the piano intro. Of course, even without the outtakes, this is one of the highpoints of Basie's career anyway.
 
5 Star Rating  "Pure bliss"2001-10-23
- Reviewed By nicmart
This is some of the finest Basie in his mid-to-late period.
 
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