Miller's Crossing
Miller's Crossing

Miller's Crossing
Manufacturer:
20th Century Fox

UPC:
024543073833

Retail Price:
$19.98

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Miller's Crossing Specs:
Product NameMiller's Crossing
Manufacturer20th Century Fox
Retail Price $19.98
EAN-1400024543073833
UPC024543073833
Specifications 
Release Date2003-05-20, 2005-02-01, 1990-10-00
FormatDVD
Actor(s)John Turturro, Gabriel Byrne, Albert Finney
Director(s)Joel Coen, Ethan Coen
RatingR
Running Time115 minutes
Num. of Items1
GenreMobsters
Aspect Ratio1.85:1
Picture FormatAnamorphic Widescreen
Region Code1
Weight0.2 lbs.
Deal first added on:27-February-2004

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Latest 6 Reviews
Here is what people are saying about the Miller's Crossing
4 Star Rating  "Nobody knows anybody. Not that well."2010-01-29
- Reviewed By Todd Stockslager from Raleigh, NC
Can the Coen brothers make a bad movie? I haven't seen it yet.

Saying that Miller's Crossing is "a gangster movie", or is "about gangsters" is like saying that War and Peace is "about" Napoleon's invasion of Russia. Yes, the story involves Gabriel Byrne as a smart-mouthed young assistant to the head gangster (Albert Finney)--and who just happens to be sleeping with the boss's main squeeze (Marcia Gay Harden). But the movie is really about honesty--a question of ethics, as the head of the rival mob complains when he is undercut by a third rival--and how well can we really now someone. Byrne's character throws off the line that serves as my review title in his typical hard-boiled delivery--but we come to realize that it is a serious question for him when he is faced with killing the brother of the boss's--and his--mistress to prove his loyalty to his new boss. Byrne can't do it; as his mark (John Turturro) begs for his life:

"You don't bump guys! You're not like those animals back there. It's not right, Tom! They can't make us do this. It's the wrong situation, they can't make us different people than we are."

While we learn more about each character, as we look through Byrne's eyes, we never really do know them not that well.

We do learn that in the 30's, men looked good in hats, gangsters had free reign of city streets and governments, and their armament consisted of everything up to and including tripod-mounted machine guns! The violence can be sudden and harsh, but is softened by the sharp dialogue and beautiful directorial work of the Coens. Don't miss the scene involving a small boy, his dog, and an askew toupee. The camera angles, framing, cuts, and timing are perfect, and turn a throw-away scene into a 30-second gem. The movie is full of little moments like this.

In the end, Miller's Crossing works as gangster movie, as comedy, as character play, as period piece, and as a glance in the mirror at someone we may not know. Not that well.
 
3 Star Rating  "Nice movie, great cast, decent plot and dialogue...not genius"2010-01-12
- Reviewed By be-bop from WI USA
This is a nice enough movie. Byrne is well cast and Finney is splendid as always and that guy who played the hotheaded Italian stole all his scenes; excellent. However, you're never convinced the Coens had a handle on how bosses really operated. Furthermore, the events, break-ins, and crack downs seem contrived and orchestrated rather than actual. The plot keeps you thinking, but there is too much vagueness, and the anti-hero survives by dumbluck or the incompetence of his dupes, rather than by real cleverness. Too much of the love interest triangle is bland and feels phony as well. Overall, the movie feels more cartoonish than cutting edge, a like too much Dick Tracy. Just an average flick I'd say.
 
5 Star Rating  "The Jewish touch in gangster land"2009-09-23
- Reviewed By A soul doctor, so to say from OLLIERGUES France
A strange little film. Once again the Coen Brothers want to make an anti-genre film. This time they attack the genre of the gangster mafia in an eastern city that does not need a name but has to be big during prohibition. That mafia is working in clubs with bars and gambling tables, and in racketeering for protection. Two rival gangs and one chap taken in between Irish and Italian bosses or would-like-to-be-sole bosses. He has an affair with the girl friend of the Irish man and he shifts to the other side but then he is demanded to execute the brother of the woman, which he fakes and then this brother turns against him and he finally manages, after many sessions of punching and upper cutting that leave him every time healthy and strong, to trick and trap the brother who belongs to the Irish gang and the Italian boss into confronting each other at his own place and the brother kills the Italian boss and our man kills the brother and disguises the two deaths in a mutual gun fight and killing. He is back with his first boss the surviving Irish man who is going to marry the woman of before and forgives our man. But this one refuses that forgiveness that he has not asked and walks away. We will note a slight touch of Jewishness on that Irish man for the funeral of the brother. The cops in that prohibition situation are providing the street entertainment and the cleaning sessions in some clubs that are so wide open that a whole brigade of cops could run in without breaking the slightest piece of glass. But the best part remains the machine gun fights between the Irish boss and the hit men sent to assassinate him by the competitor. The chandelier turns into a "windmill" that is in fact a "bullet mill" and it is funny though it lasts only a second. Overkill is the motto and so many bullets and noise for just nothing is like using the space shuttle to go buy your daily bread at the next block bakery.

Dr Jacques COULARDEAU, University Paris 1 Pantheon Sorbonne, University Paris 12 Créteil, CEGID
 
5 Star Rating  "Best mob movie!"2009-08-06
- Reviewed By G. Joseph from Pittsburgh, PA
Millers Crossing remains my favorite mob movie. You might need to watch it a couple times to pickup some of the names, dialog and plot connections. That's what makes it a great movie. It has some detail to it. It isn't a cheesy Hollywood cookie cutter plot. The Cohen Bros. at their best.

The dialog is classic. Get it!
 
4 Star Rating  "Handsome"2009-06-19
- Reviewed By Sirin from London, UK
A handsome movie about men in hats, was how the Coens described this movie. That's exactly it. One of their best. A slick, ersatz 1920s era gangster movie, the Coens know how to respect the conventions of the genre and when to subvert them. The plot is complex and slippery, but never unravels as it pings between the main characters - Tom, the Irish gangster caught in a war between two prohibition era mafia bosses - Leo and Johnny, also messed about by a corrupt bookie.

The acting is slick and powerful, right down to the minor characters including Steve Buscemi as a homosexual bookie who double crosses his colleagues.

One of the Coen's top films.
 
5 Star Rating  "Freaking fantastic."2009-06-12
- Reviewed By Adams from Washington D.C.
Everything's good about this film, man. The storyline leaves you hanging throughout, while still entertaining you immensely, and it reveals itself to be insanely clever right until the climactic ending.

The characters are very, very precise and likable, all of them entertaining to watch--people you'd want to be in a room with (or maybe not) for hours.

This film does require some listening and thinking while you're watching it. This isn't for people who want to be absolutely braindead for an hour and a half. It's not hard to really get into this movie, but you do need to really get into this movie to enjoy it. And you will enjoy it a lot.
 
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