 "A GLORIOUS AND TIMELSS STORY" | 2008-11-24 |
| - Reviewed By ttinserrano |
Blood and Sand (1941) is a Technicolor film produced by 20th Century Fox, directed by Rouben Mamoulian and starring Tyrone Power, Linda Darnell, Rita Hayworth, and Alla Nazimova. It is based on the Spanish 1909 novel Blood and Sand (Sangre y arena) by Vicente Blasco Ibáñez.
There are two earlier versions of Blood and Sand; a 1922 version produced by Paramount Pictures, and starring Rudolph Valentino; and a 1916 version filmed by Blasco Ibáñez himself, with the help of Max André.
As a child Juan Gallardo (Tyrone Power) wants only to become a bullfighter like his dead father. One night he has an argument with the pompous critic Natalio Curro (Laird Cregar) about his father's lack of talent in the bullring. The argument spurs Juan to travel to Madrid and achieve his dreams of success in the bullring. Before leaving he promises his aristocratic sweetheart Carmen Espinosa (Linda Darnell) he will return when he is a success and marry her.
Ten years later Juan Gallardo (Tyrone Power) returns to Seville. He has become a matador and uses his winnings from Madrid to help his impoverished family. He sets his mother (Alla Nazimova) up in a fine house and ends her existence as a scrubwoman. He lavishes money on his sister Encarnacion (Lynn Bari) and her fiancé Antonio (William Montague) so they can open a business and wed. He hires ex-bullfighter Garabato (J. Carrol Naish), who has become a beggar, as his servant. Best of all he is now able to marry his childhood sweetheart Carmen (Linda Darnell) as he had promised.
Juan's wealth and fame continue to grow along with his talents as a bullfighter . Eventually he becomes Spain's most famous and acclaimed matador. Even the once scornful critic Curro now lavishes praises upon Juan and brags that it was he who discovered Juan's talent. Although Juan remains illiterate doors open to society and he catches the eye of sultry socialite Doña Sol des Muire (Rita Hayworth) at one of his bullfights. His mother attempts to warn Juan that if not careful he will, like his father, end up on a path to destruction but Juan refuses to believe her.
Watch ver closely and you will se a young George Reeves, many years befor he epitomized the Super role that made him famous. He plays a small but memorable part as the Dona's first suiter.
Juan is blinded by the attention his fame has brought and Doña Sol finds it easy to lead him astray. He soon begins to neglect wife, family and training in favor of her privileged and decadent lifestyle. His performance in the bullring suffers from his excesses and he soon falls from his great heights as the premiere matador of Spain. With the loss of fame comes rejection by everyone who was once important to him. Even Carmen casts him off after she learns of his affair. With his fame now gone Doña Sol moves on to new up and coming matador Manolo de Palma (Anthony Quinn), Juan's childhood friend.
After losing everything a repentant Juan begs for forgiveness and is taken back by Carmen. He vows to change but first he must have one final bull fight to prove he is still a great matador. His prayers for one last success, however, are not answered and like his father before him he is gored by the bull. Juan dies in the arms of Carmen as the crowd cheers for Manalo's victory over the bull. Manalo bows to the fickle crowd near the stain of blood left in the sand by Juan.
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| "Rise and fall, from the humbleness to the apex!" | 2008-07-14 |
| - Reviewed By higopa |
"Blood and sand" is one of the most famous novels of Blasco Ibañez, that somehow retakes the myth of Icarus about the story of the son of a famous bullfighter, from his impoverished ages of childhood to his unequalled fame as the best Spanish bull fighter, idolized and loved for many women.
His superb reaches a turning point when he was seduced by an alluring woman - Rita Hayworth-, although she is aware he `s a married man, and how this ethic deviation will lead him to a fatal disgrace, here you have the essential pivot of all tragedy according the Greek pattern, the violation or transgression of the rule will blind the humblest of men.
Tyrone Power as the disgraced bullfighter, Linda Darnell as his suffered wife and Hayworth as the "fatale femme" complete a narration that will be completed with the basic elements of the Spanish culture, the bullring, the devotion for the Macarena Virgin, the flamenco and other minors issues that constituted a well rounded film without that used ornamentation or bombastic feature that nourished other similar films of the Forties.
Maybe the film is a bit overlong and that's why I can't give it five stars.
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| "Anthony Quinn and Rita Hayworth dance" | 2007-10-14 |
| - Reviewed By User: A3FHVYIL6FYHXI |
Boyhood rivals Tyrone Power and Anthony Quinn grow up to be rival matadors.So far, so what. But then they become rivals in love. Now you have a story. Power is the first to get involved with the lucious Rita Hayworth but then Quinn moves in for the prize. It is rare that one scene can make an entire movie worth the purchase price but the scene in which Quinn and Hayworth dance is that scene. Quinn uses the moves of a matador with Hayworth dancing the part of the matador's twirling cape in her rose colored gown. When the cafe patrons shout ole` the viewer is one with them.
Hayworth and Quinn had an affair while participating in the movie. Watching them dance it could not have been otherwise. GET THE MOVIE. |
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 "Blood and Sand - The Movie" | 2007-08-28 |
| - Reviewed By User: A1RNXP73HBJA00 |
| A love triangle in which an aspiring bullfighter falls under the spell of a beautiful woman. |
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 "Why does FOX still neglect Rita Hayworth ?" | 2007-06-27 |
| - Reviewed By yannfischer |
The studio made 3 movies with Rita Hayworth. Blood and Sand was even the movie that made her a real Star even though she worked at Columbia afterwards. Why is FOX not proud of having had her ? Why did they put such
a little pic of her on the new Cover as if it was only a Tyrone Power film ?
Why do they totally neglect MY GAL SAL which even does not exist on video ?
Hayworth was the combination of the 2 big female stars that
20th Century Fox had in the forties : She was the perfect match between
the dancing abilities of BETTY GRABLE and the beauty of GENE TIERNEY.
To bad they do not realize this even in 2007 : BLOOD AND SAND is a glorious
example for a great movie with 2 great Stars. |
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| "Two beautiful people, Tyrone Power and Rita Hayworth, tell us all about ambition, temptation and redemption. It involves bulls" | 2007-05-30 |
| - Reviewed By ecder |
Blood and Sand is an allegory of a man's pride, lust and ambition, who is redeemed by the love of a good woman and a death ennobled by regret. In other words, the movie is a Hollywood weeper. At just over two hours, it's way too long. Still, it shows what can be accomplished when professionals take hold of a teary melodrama and give it color, sleekness, sex and, at 27, an extraordinarily handsome leading man in Tyrone Power. Rita Hayworth, as the femme fatale, is almost as pretty.
Young Juan Gallardo, poor and illiterate, dreams of becoming a famed matador. As a young man (Tyrone Power), he achieves his goal, along with the friendship of men he knew when they were children and the love of his childhood sweetheart, Carmen (Linda Darnell). But fame and money can bring superficial values, and Juan's head is turned with a vengeance. He becomes a great matador, but spends money freely, ignores his old friends in favor of hangers-on and, even worse, he forgets the love of Carmen, now his wife, for the lush and erotic charms of Dona Sol (Rita Hayworth). Although Carmen is lovely, she spends much time looking either compassionate or sad. Dona Sol, or at least Rita Hayworth, is another matter entirely. Hayworth, in a white, form-fitting gown, is something to see as one evening she strolls with perfect posture and a perfect chest toward the poor sap Juan. He doesn't have a chance. In time, his skills become dull and Dona Anna finds him dull and moves on. At last he rediscovers his values and his roots. Wouldn't you know it, just when he restates his love for Carmen, he meets this one particular bull in his last fight. It has two very sharp horns. Music up, lights down, hankies out.
The movie seems to go on and on. We spend almost half an hour on Juan's boyhood before Tyrone Power shows up as a young man. It's nearly an hour before we encounter Rita Hayworth. For Hayworth, the wait is worth it. Her character is selfish, rich, beautiful and all the things a teenaged boy's erotic dreams are made of. This was Hayworth's first color movie and she knocks 'em dead. Says Natalio Curro (Laird Cregar), the effete and envious newspaper bullfight critic, "If this," gesturing at the bullfight arena, "is death in the afternoon, she," gesturing to Dona Sol, "is death in the evening." Towards the end of the movie Hayworth does a dance in a cantina with Anthony Quinn (as an upcoming bullfighter Dona Ana is about to leave Juan for) which is charged with sex.
What redeems the movie, in my opinion, is the professional gloss Darryl F. Zanuck and his team gave the film. At this point Tyrone Power was emerging as a box office power house for 20th Century Fox. Zanuck saw to it that Power was surrounded by the studio's best. The entire look of the film, from the poor village where Juan came from, to Dona Ana's luxurious estate, from street scenes to the arena itself is framed beautifully. Everything has that detailed, lavish, almost awe-inspiring perfection that only highly skilled professionals and a lot of studio money can provide. Color is used to create particular palettes for key scenes, often considerably more subtle than the garishness of many early Technicolor films. The actors all do fine jobs. Power, as usual, is earnest, but with his looks it works. Linda Darnell, obviously being groomed by how carefully she is lit and photographed, hasn't much to do but does it well. It's always good to see Laird Cregar being loathsome, and J. Carrol Naish and John Carradine as two old friends are authentic and don't overact. Anthony Quinn in an important role without much screen time makes an impression. And Rita Hayworth almost stops the movie every time she shows up.
Considering that bull fighting is a bloody business, where some people believe killing is an art and courage is not cheapened by spectacle, the movie goes to great lengths not to show us the reality of the picadors slicing into the bull's neck muscles, the animal's blood seeping down its sides, the occasional disemboweling of a picador's horse by the bull, the gorings of the matadors or the sword thrust into the neck of the bull which all too often doesn't kill cleanly and leaves the bull thrashing and trying to stand. The movie does give us a picture of the drama, the man versus animal contest, the roaring blood lust of the crowd and the inner workings of the arena. The average Roman citizen from 150 A.D. might have found it too tame, but he would have appreciated the intentions.
The DVD transfer is first rate. Extras include a commentary and a restoration comparison. |
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Expedited Available
