Henry Mancini - Breakfast At Tiffany's: Music From The Motion Picture Score
Henry Mancini - Breakfast At Tiffany's: Music

Henry Mancini - Breakfast At Tiffany's: Music From The Motion Picture Score

Manufacturer:
RCA

UPC:
078635236224

Retail Price:
$11.98

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Henry Mancini - Breakfast At Tiffany's: Music From The Motion Picture Score Specs:
Product NameHenry Mancini - Breakfast At Tiffany's: Music From The Motion Picture Score
ManufacturerRCA
Product Number MPN078635236224
Retail Price $11.98
EAN-130078635236224
EAN-1400078635236224
UPC078635236224
Specifications 
Release Date1990-10-25, 1988-10-17
FormatAudio CD, CD
Artist(s)Original Soundtrack, Henry Mancini
AlbumRCA Records, Breakfast at Tiffany's, Breakfast At Tiffany's: Music From The Motion Picture Score
Tracks
  1. Moon River - Henry Mancini
  2. Something for Cat
  3. Sally's Tomato - Henry Mancini
  4. Mr. Yunioshi - Henry Mancini
  5. Big Blow Out - Henry Mancini
  6. Hub Caps and Tail Lights - Henry Mancini
  7. Breakfast at Tiffany's - Henry Mancini
  8. Latin Golightly - Henry Mancini
  9. Holly - Henry Mancini
  10. Loose Caboose - Henry Mancini
  11. Big Heist - Henry Mancini
  12. Moon River Cha Cha - Henry Mancini
  13. Arabesque
  14. We've Loved Before-Yasmin's Theme [Instrumental]
  15. Ascot
  16. Dream Street
  17. Facade
  18. Something for Sophia
  19. We've Loved Before-Yasmin's Theme [Vocal Version]
  20. Shower of Paradise/The Zoo Chase
  21. Pt. 1: Arabesque Theme
  22. Pt. 2: Aquarium Scene
  23. Pt. 3: Arabesque Theme (Reprise)
  24. Bagdad on Thames, Moon River
  25. Something for Cat
  26. Sally's Tomato
  27. Mr. Yunioshi
  28. Big Blow Out
  29. Hub Caps and Tail Lights
  30. Breakfast at Tiffany's
  31. Latin Golightly
  32. Holly
  33. Loose Caboose
  34. Big Heist
  35. Moon River [Cha Cha]
  36. Arabesque
  37. We've Loved Before-Yasmin's Theme [Instrumental]
  38. Ascot
  39. Dream Street
  40. Facade
  41. Something for Sophia
  42. We've Loved Before-Yasmin's Theme [Vocal Version]
  43. Shower of Paradise/The Zoo Chase
  44. Pt. 1: Arabesque Theme
  45. Pt. 2: Aquarium Scene
  46. Pt. 3: Arabesque Theme (Reprise)
  47. Bagdad on Thames
Num. of Items1
Record LabelRCA Records, Rca
GenreSoundtracks
Deal first added on:19-January-2004
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Latest 6 Reviews
Here is what people are saying about the Henry Mancini - Breakfast At Tiffany's: Music From The Motion Picture Score
5 Star Rating  "Classic album"2009-06-11
- Reviewed By User: A1XBKKWKGLR5X9
This an important album of the contemporary musical scene. All the songs are excellent and very beautiful, but Moon River is a special jewel in the world music history. Recommended for all music lovers.
 
3 Star Rating  "Surprisingly Swinging"2008-04-26
- Reviewed By hankaaron
Having never been a fan of Mancini ("A Shot in the Dark" was the only Mancini tune I liked), I was surprised how some of the songs really work for me.

I still can not stand to hear "Moon River", but "Something for the Cat" and especially "Sally's Tomato" are top craft arrangements. "Loose Caboose" is another favorite. Listening to these three songs gave me a thought I never had before. And that is that Mancini has had a huge impact on Quincy Jones. Jones swingin big band style obviously was influenced by Mancini.
 
3 Star Rating  "Good! Walking over other styles"2007-11-22
- Reviewed By User: A3G7FNR6M4WPVN
"Moon River" is a classical soft music. This album is very listening and relaxing, and for my suprise, also intersting. Manccini had made using cha-cha-cha, jazz, shuffle and a very, very soft rock'n roll. Very good!
 
5 Star Rating  "Best soundtrack I've heard, especially if you like 1950's swing and jazz"2007-05-04
- Reviewed By User: A164H8634LAOI1
Great soundtrack, though very hard to find. Henry Mancini does a great job with the orchestra, I can almost see Mr.Yomioshi peeking out of his door, or Holly singing with her guitar in her windowsill. Perfect for background music when entertaining, and also when you want to relax and enjoy the music of the 1950's.
 
5 Star Rating  "YOU ARE CORDIALLY INVITED TO MY "SAKE PARTY" (Please RSVP)"2006-08-27
- Reviewed By maverick_mystic

Back in the mid-1980s, I had an idea for a "theme party" I wanted to throw. Unfortunately, life (lower case L) obstructed my plan and I never got around to it. {*Truth is, he never managed to save up enough money to buy friends to invite.*} But I did record four 90-minute cassette tapes of background music for the party that never was. (Remember, this was before recordable CDs and all the other technocrap.) Oh, the music would have been great: Booker T And The MGs; Three Dog Night; Bobby Darin; Stevie Wonder; Muddy Waters; The Partridge Family; War; and Wild Cherry (guess which Funky song, White Boy!) But each side of every tape ended with MR. YUNIOSHI, the theme song for Mickey Rooney's angry Japanese character in the movie, Breakfast At Tiffany's. MR. YUNIOSHI was to be the cue for me - wherever I was mixing, or whoever I was mixing it up with - to prepare to turn over the tape.

I may throw this party yet...someday. The house is going to be jammed - floor to ceiling - with helium-filled balloons, so as you push your way through them, you'll never know who or what you're about to run into. {*Fun, eh? If you're smart, you'll have a prior engagement.*} Hey, never mind that voice behind the curtain - it IS going to be fun! But there is one thing that every person at this party will have in common: Regardless of who ends up kissing whom, or who ends up punching whom, or regardless of For Whom The Bell Tolls {*Sounds like it's going to be an exhausting evening for Whom! I hope he or she is up to it.*}, each and every person will have knocked back a slug of SAKE as a prerequisite for gaining admittance to this soiree.

SAKE (pronounced "Sock-ee"), in case you don't know, is the traditional fermented Japanese beverage made from rice. It's served hot in small ceramic cups. Being hot, it seems to assimilate in a person's bloodstream fairly quickly and makes one feel real good, real fast. For many, it's an "acquired taste", although I took to it immediately. {*He's an alky; he took to all booze before he took to the bus for elementary school.*} I have two nice sake sets that I purchased ages ago in Chinatown, near downtown Los Angeles, and you'll need to suck a shot of sake before you're permitted to enter my pagoda to hear MR. YUNIOSHI. {*And burst his bubble and pop his balloons!*}

But MR. YUNIOSHI is far from being the only track I like from Henry Mancini's BREAKFAST AT TIFFANY'S soundtrack. I've seen the movie a couple of times and I'm just not one of its fans. But the music, now that's another thing! BREAKFAST AT TIFFANY'S (the film) won none of the 1961 Academy Awards, but the Oscars for "Best Music Score" and "Best Song" (Moon River) went to Mr. Mancini. What does that tell you? {*Think, McFly! Think!*} This entire album is delicious; it's one of my 25 most frequently played compact discs!

It starts with the award-winning bittersweet song, MOON RIVER, written by Mancini and the equally legendary Johnny Mercer. I love the song even if my favorite version was recorded later by Louis "Satchmo" Armstrong. This is the only "song", literally speaking, as it contains lyrics sung by Mancini's Chorus. All other tracks are instrumentals unless you're counting the Chorus singing "Oohs" and "Ahhs" on a couple of the other cuts.

Some of the instrumental pieces have that unmistakable "Mancini" stamp: Distinctively pronounced beats (a la "The Pink Panther"). Others are the antithesis of that style, with a tremendously yearning emotional content conveyed through the subtle interplay of his impeccable Orchestra and the smooth harmonic layering of his Chorus of male and female voices doing little more than humming the melodies.

And yet again, on some pieces, Mancini's charts propel his dynamic, top-notch Orchestra into bright, soaring flights that seem almost on the verge of running off the pages and into improvisational exuberance. {*Don'tcha just love how he nearly sounds like he knows what he's talking about?*} I mean, listen to that Orchestra crank it up on THE BIG BLOW OUT, or SOMETHING FOR CAT, or LOOSE CABOOSE - Mancini directed highly accomplished musicians as befitting a man of his genius. And I never use the word "genius" lightly, but this man was indeed just that! How he was able to translate the action of a scene into corresponding "music pictures" in pieces like THE BIG HEIST and the playful striptease-cum-cartoon, HUB CAPS AND TAIL LIGHTS! {*Some would say, if you've got `em, flaunt `em.*}

But nothing moves me more than SALLY'S TOMATO, BREAKFAST AT TIFFANY'S, and HOLLY - three instrumentals that float like some tear-drenched, melancholic sunbeam. They were recorded at the dawn of the 1960s, just before all hell broke loose in this country and we found ourselves embroiled in a cultural revolution that pierced an ineffable something deep within us and from which we'll never recover. There's a desperate "looking back at innocence" captured in these three pieces that crushes my heart and forces my eyelids closed. It's a memory of joy that's gone and not returning. It's gently swaying grass growing around the headstone of a deceased lover. {*Aw, cap it, will ya? Yer bumming everyone out.*}

Alright then. Let me just say that this soundtrack is Five Star from top to bottom, and in short {*It's too late for THAT!*}, there are two things that I really recommend you do: You should acquire a copy of Henry Mancini's musical masterpiece right here and now, and later you should come to my SAKE PARTY. {*If you pass out, and you're still there in the morning, he's gonna treat you to BREAKFAST AT TIFFANY'S!*}
 
4 Star Rating  "Capote"2006-05-23
- Reviewed By jbernat6
If you've seen the recent academy-award-winning performance depicting Truman Caopte, you can appreciate even more the role Hepburn plays in this film.

And, perhaps as much or more, the crucial function Henry Mancini had to fulfill in creating this memorable music. The exact music in the movie itself is a little different than what you'll find in this album, but that is actually a good thing.

This album combines aspiration, ambition, sophistication and pretense into a really irresistable brew. Hepburn's performance made us love her.

But Mancini won an Oscar, too. Let's reflect on exactly how and why that happened...
 
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