 "Pleasantly surprised" | 2008-09-07 |
| - Reviewed By kmc702 |
I picked up this book out of curiosity and wasn't sure what to expect. It reads easily, but there is actually quite a bit going on in these pages. I was pleasantly surprised to get so much out of one book. Nafisi effortlessly weaves her personal history and that of her girls into the larger story of the revolution in Iran. Not knowing much at all about the Middle East, it was a huge help to have the larger cultural/historical landscape explained. As if these threads were not enough, Nafisi decides to weave in one more - the relationship between literature, the Iranian revolution, and the personal lives of the girls. Best of all, I got the itch to revisit many of the classics mentioned in this book.
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 "Great topic, boring to read" | 2008-09-02 |
| - Reviewed By laal1980 |
| I'll be honest with you. I couldn't finish this book. It's though refreshing and draws a great deal of westerners' attention to the oppressive Iranian society and regime but hey the author has written a very boring book. Maybe because I know the Iranian society pretty well and therefore the book is boring to me. I am not sure but I have heard three of my friends (Canadians and Americans) who read this telling me that they had a hard time understanding this book or how boring it was. But all in all, this book was/is a necessary one to shed light on the problems of the Iranian society. 3 out of 5 stars |
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 "purchase only" | 2008-08-31 |
| - Reviewed By dbrhmcknz |
| The delivery time was excellent. I gave this as a gift, so I can't comment on the product. |
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| "A delightful surprise" | 2008-08-09 |
| - Reviewed By x10ski |
It took forever for me to start this book because I didn't think I would like it. However, It was extremely well-written...I thought that the weaving of the history of Tehran with the story of the girls/women in the book club with the review of the books (the great gatsby, Lolita, and Daisy Miller) was done so seemingly effortlessly. I felt like I was learning so much about all three topics and was fascinated by each.
When I read this book, I was going through a very tough time at work...undergoing alot of institutional injustice. This was the perfect book to read during that trying time...I think it helped me to see that people can live inside of a world of injustice and ridiculous, illogical rules and still find art and beauty and love and friendship and that in some ways these things are cultivated more fully by repression and tragedy.
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| "Breathe It In" | 2008-08-08 |
| - Reviewed By jseger9000 |
Reading Lolita in Tehran is one of the most beautifully written books I have read. Full of lines such as "Life in the Islamic Republic was as capricious as the month of April, when short periods of sunshine would suddenly give way to showers and storms."
Another one I liked is: "A novel is not an allegory... It is a sensual experience of another world. If you don't enter the world, hold your breath with the characters and become involved in their destiny, you won't be able to empathize, and empathy is the heart of a novel. This is how you read a novel: you inhale the experience. So start breathing."
She uses this logic with her own writing, drawing you in to revolutionary Iran. Deftly comparing and contrasting nightmarish, totalitarian scenes of the Islamic Republic's `morality guards' that feel like something straight out of 1984 with scenes and analysis from novels as diverse as Lolita and The Great Gatsby.
A very enjoyable and one of a kind book. |
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| "One of the best books I've read in a while" | 2008-07-24 |
| - Reviewed By User: A2JPS4DTTFJSC6 |
| Fantastic book, not only does she give u a real insight into her experiences during a key period in Iranian history but also serves as a quasi course on English literature...yet remains fluid, wholly engaging and easy to read! |
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| "Great history, memoir and lit lesson" | 2008-07-22 |
| - Reviewed By jeanedouardpouliot |
Azar Nafisi was the right person (an intellectual and writer) who was in the right place (Tehran University) at the wrong time (The Iranian Revolution). Having lived in both America and in Iran, she was in unusual position of teaching American Literature at a time in Iranian history when America was demonized as the Great Satan. In soft and exquisitely-recalled detail, she describes her professional struggle to keep her class interested in Western works like Nabokov's "Lolita" and Fitzgerald's "The Great Gatsby." Her struggle was to remain true to the meaning of the texts at a time when even leftist and secular students saw these works as evidence of Western decadence. Her personal struggles are also detailed, notably her attempts to remain free of the veil at a time when armed thugs and armed government morality squads roamed the streets.
Nafisi's eventual departure from the university prompts her to hold class in her own home for interested students, mostly women. These students come from all over the political and religious spectrum, but are united in their love of literature. Nafisi and her students find themselves drawn into a relationship that touches on their personal lives, proving again the transformative power of literature in even the least hospital climates.
The voice of Nafisi is quiet, deliberate, thoughtful, lyrical and courageous. More headstrong as a young woman, her defiance of government oppression and terror is more measured, but no less strong. But "Reading Lolita in Tehran" is far more than a memoir one woman's experience under a brutal regime. As she details the conversations and arguments that break out inside her classroom, we become more than spectators. We too are in attendance and begin to appreciate the depths that her favorite authors -- Austen, James, Nabokov, Twain and Fitzgerald -- are able to plumb in their novels. Nafisi's skill in drilling down to the bedrock values of these stories, even to the point of finding commonalities between the American novels and the Iranian experience, is surprising and seems all but inevitable.
In spite of its length, I found this book very engaging. The occasional scholarly reflections were often staged as lively discussions among characters, even a scene in which a book was put on trial. A wonderful read for those who love literature and who would like a peek into the darkest years of the Khomeini-led Iranian revolution. |
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| "Absolutely not politically correct" | 2008-07-01 |
| - Reviewed By duibuqi |
The author was a specialist for Western literature in the Iran of the Islamic Republic. That was of course a no-no and she lost her university job in 1995. Before finally emigrating to the US (where she is now probably a suspect as a sleeper of some kind), she did a remarkably courageous thing: she continued teaching girls in English language literature at home for two more years. The main message of the book is the story of the lessons and of the fate of the girls in a country that has gone back by milleniums in civic freedoms.
I was reminded of this book, which I read a few years ago, by the discussions after I posted reviews of the novel and the first film Lolita. I realized that there are more interpretations of Lolita, the novel, than was mentioned in the discussion. For the group of women who read the book in Tehran, what was in the forefront was that somebody who has been forced to be with somebody that she didn't want to be with, can rise up and escape.
In a way though, Lolita is not really the main subject of the study group. The book ought to have been called Reading the Great Gatsby in Tehran or reading Jane Austen. Both take a lot more space. Obviously the title was chosen by marketing criteria. The title with Lolita sounds more interesting and it has a much better rhythm.
I am as often puzzled by the reactions here in Amazon. Where do all the negative reviews come from? Does the Iran have a fifth column of literate people who can write reviews? |
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| "Reading Lolita in Tehran in Ohio on tape." | 2008-06-30 |
| - Reviewed By christthetao2 |
I avoided this book for fear of voyeurism. Abuse of children, or the artful justification of it in even an attenuated form, is not something I want to encourage, and I assumed the point of the title was, ¨How paradoxical to be reading something so naughty with veils over our faces!¨
Fortunately that was wrong. Nafisi seems rather to be using a story about the exploitation of one girl, as a literary doorway into a society in which all girls are treated badly. That was what I was hoping for, in finally picking up the CD of this book (which I listened to while driving through Amish country in Ohio!) -- to learn more about life in Iran from a sensitive critic of the regime.
Overall, the book is good enough. Nafisi's descriptions of her students, and the other characters, are acute. You do come to understand what life is like for women in the most radical Islamic countries -- at least for women educated to think like Westerners.
But at the same time, I didn't always get the feeling of getting inside the thought processes of another culture, here. Nafisi does not always seem to mediate a general view of life for women in Iran, but more of ¨what an American forced to live among Islamic Leninists¨ (see Naipaul) would feel. Her description of Islam is so uniformly negative, one does not much get inside the head of its proponents -- unlike with Naipaul.
My other complaint was that the book dragged at times. The author has descriptive talent, but sometimes lets it get away from her. Sometimes Nafisi gives the readers too much interior dialogue -- read with a rather gloomy seriousness, in the CD version.
All in all, while good, I'd probably prefer a shorter version of this book. Maybe a printed version, which one can skip forward at times, would in this case be preferable. |
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| "For the Women of Iran" | 2008-06-13 |
| - Reviewed By doublea333333 |
| This is an extremely important book because it gives the women of Iran a voice, and one that has been heard around the world. This book is many things: a discussion of English literature, a memoir, a history of the last 30 years in Iran, and more. It is especially worthwhile for those interested in women's issues, Iran, and literature. Just a word of warning--for those not familiar with the writings of Jane Austen, Nabokov, Henry James, or Fitzgerald--parts of this book may not make much sense. May there be freedom and democracy one day in Iran. |
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