Diana Krall: Live in Rio [Blu-ray]
Diana Krall: Live in Rio [Blu-ray]

Diana Krall: Live in Rio [Blu-ray]

Manufacturer:
Eagle Rock Ent

UPC:
801213333394

Retail Price:
$24.98

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Diana Krall: Live in Rio [Blu-ray] Specs:
Product NameDiana Krall: Live in Rio [Blu-ray]
ManufacturerEagle Rock Ent
Retail Price $24.98
EAN-130801213333394
UPC801213333394
Specifications 
Release Date2009-05-26
Actor(s)Diana Krall
RatingNot Rated
Num. of Items1
GenreMusical & Performing Arts
Aspect Ratio1.78:1
Weight1 lbs.
Deal first added on:2-June-2009
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Latest 6 Reviews
Here is what people are saying about the Diana Krall: Live in Rio [Blu-ray]
4 Star Rating  "Good Music"2009-10-03
- Reviewed By User: ATNYX4N2UMSY6
Good music and some great scenery of Rio, the site of the next Olympics. Not as good as the Paris DVD but the selections are worthy.
 
5 Star Rating  "I Heart Diana"2009-09-13
- Reviewed By User: A2MT1HBJEH7VHE
Being an senior I knew the words to almost all of
the song on the album...The songs bring back memories
from my teens and to retirement..Diana is a masster at the piano
and her personal style of singing outstanding...The allbum
is long but relaxing....You will getmoneys worth.

I also bought Quiet Nights. Good latin beat...The musicians
who accompany Diana are also First rate....The follow
up visit with her and friends reveals a side of Diana
you will not get with most Video DVD's

If you like JAZZ stylings with an orchestra this is it.
 
5 Star Rating  "One of the best of Diana"2009-09-12
- Reviewed By User: A2PFFLW4K5TK59
This blue-ray is simply wonderful. I saw it every day along with my family.
Some of the best Diana's interpretattions of all the time.

Cheers!
 
5 Star Rating  "Diana Shines"2009-09-07
- Reviewed By User: A3KVE6P1A1WA73
Diana Krall's voice and beauty are displayed well in Blu-Ray. Her performance, interaction with the audience, and the scenery around Rio are soothing and warming.
 
5 Star Rating  "A Very Latin Diana Krall"2009-09-04
- Reviewed By User: A2X58GKJ7WYU50
If you love the latin beat and love Antonio Carlos Jobim, then you will love Diana Krall's very jazzy interpretation of this wonderful music! Her soft, sexy voice mingles with her excellent talents as a jazz piano artist in front of a live, very appreciative audience in Rio. Diana's bossa nova style gives a jazzy new twist to many old classics. However, Krall gets her greatest applause when she sings Jobim's Quiet Nights and The Boy From Ipanema, as well as Este Seu Olhar with the audience joining her in singing this beautiful song. If you want to spend 135 minutes of pure joy, buy this great DVD. I also have the CD and enjoy the soft sounds of Krall while driving along the highways and byways. Sooo soothing! Muy Bueno!
 
3 Star Rating  "OK, but no gesamtkunstwerk."2009-08-02
- Reviewed By caponsacchi
Urgency, drama, poignancy--all of which I hear in the Sinatra/Jobim bossa nova recordings (two albums plus a television special)--are replaced in this set by color, casualness, even a touch of "home-iness" (several singalongs). Of course, the latter are all illusions, as Krall is one of the best prepared, most tightly rehearsed, perfectionist artists in the business. Her piano chops are fine-honed to to the point of virtual flawlessness, if at the expense of some excitement and spontaneity. She'll never be a "stand-up vocalist," but she has worked hard enough on that facet of her talent to be one of the more compelling (though hardly virtuosic) voices in the music today. Perhaps Diana herself wishes to be taken less seriously as a vocalist than as a pianist--how else to explain her crossing her legs while singing a couple of the numbers?

Perhaps her most noteworthy achievement on this date is to make it all seem so relaxed, so easy, so natural (the "just-got-up," careless fall of the hair, the sleepy eyes, the intimate rapport with the audience--all this on a concert stage while surrounded by a hundred musicians or so--it's the mark of a supreme actress who knows how to play equally to the camera and the crowd but also the signature of a performer sufficiently talented to exude this much confidence.

By contrast, her steadfast team of Hamilton and Clayton look, if anything, somewhat nonplussed alongside Diana (though Clayton does his best to provide an ingratiating smile). Perhaps what I'm seeing is what happens to all of us after age 50 (I can recall few drummers who projected a more commanding presence than Jeff Hamilton driving the Woody Herman Herd). No doubt Buddy Rich and Ray Brown were the exceptions--both seemed to register increasing confidence and unflappable supremacy with each passing year.

Guitarist Anthony Wilson, as the only other melodic voice of note, is especially key to the "jazz" interest of the group, though his rapidly ascending patterns occasionally get lost in the translation. Hand-drummer, Paulhino Da Costa, is gracefully balletic to look at, though his sonic contributions, at least on my system, are often hard to pick up. The orchestrations are worlds apart from a Nelson Riddle or Johnny Mandell but at least manage to avoid sounding intrusive or schmaltzy.

The only "life" in the proceedings occurs with the introduction of the Nat Cole Trio numbers. A couple of misfires, at least to my ears' perception, are "Too Marvelous for Words" (Johnny Mercer certainly had nothing in mind like this soporific version, which is tantamount to replacing love-struck wonder and speechlessness with a sentiment more like "words require too much effort to express your attractiveness") and "Walk On By" (which, with its repetitious and constricted melody combined with a deadpan delivery, sounds stolid--even a bit like martial music--"March on By"?).

Nonetheless, this is undeniably highly listenable, pleasant music. More questionable is whether it's worth the expense of time, attention, and cost of a Blu-ray edition. Despite the lovely interspersed shots of Brazilian life, there's not much to look at--unless you can't get your fill of Ms. Krall's admittedly handsome features. Moreover, the hi-definition is, at best, inconsistent. As mentioned, the audio is less than stellar, and the available light shots of the audience in the dark auditorium are mostly all grain (visual "noise" photographers call it). The cutting (from shot to shot) ranges from curious to disorienting (at a couple of points making the featured performer look like she's doing a ventriloquist act when the words suddenly show no synchronization with lip movement). Better to pick up the CD and let your mindscreen provide the pictures. (Tip: Don't overlook the "bonus" tracks shot in a hotel lounge with just vocal, guitar, and Hamilton playing brushes on his lap--in many respects, it's more satisfying than the big show.)
 
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