Reviews Written By: A2R6RA8FRBS608provided by Amazon.com |
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 | Dyson DC 14 All Floors Upright Vacuum, Steel Yellow - Steel/Yellow | |
 | "all right by me !!!" | 2009-11-06 |
| This is one TERRIFIC vacuum cleaner! It's done a great job on my floor, my carpet, the stairs, tight corners--you name it. When I initially unpacked this, it didn't even take more than fifteen minutes to put a few pieces all together although if I were better at these things the hoses, etc. could have been put together in less time. Although the body and the hoses are mostly plastic and rubber, don't be fooled--this vacuum cleaner has way more than enough power to easily pick dust and dirt with very little effort. I also like that it comes with a few tools including that really long wand which can be used to get into tough to reach areas--behind furniture that can't easily be moved or the crown molding adjacent to your ceiling, for example. You can also just tap the front bottom of the cleaner with your foot to get this to vacuum at an angle that's much more comfortable than the 90 degree angle pictured above.
The vacuum cleaner requires occasional maintenance but as long as you clean the actual filter, the dust bin and the brush bar tool you should be OK. Clean them all as often as you need to make sure the machine is picking things up as effectively as possible. As another reviewer aptly notes, be sure to thoroughly clean the dust bin--it can clog if you don't clean it for several months. The instruction manual makes cleaning all this rather simple by giving you easy to understand pictures and I really appreciated that. I do wish that this model came with two different carpet settings: one for a rather low, industrial style Berber carpet (like the one I have in some rooms of my home) and another carpet setting for higher, thicker carpets or rugs; but this is a minor quibble because so far the machine has done the job. In addition, the vacuum cleaner is fairly lightweight; at twenty-five pounds or so it shouldn't strain you too much. If you do have a bad back or some other concern about lifting the twenty-five pounds, however, you may want to keep looking for another vacuum cleaner if this will be too much for you to lift. I don't consider myself to be all that strong yet I can lift this fairly easily. It looks heavier than it actually is! I highly recommend this vacuum cleaner; it's simply one of the best you can buy. If I could put the few pieces together that do need connecting before I first used it, then you can, too. This machine lasts years with the proper care but of course the five year warrantee gives me peace-of-mind. It costs more than some other vacuum cleaners but it's worth it. | ||
 | Life with Judy Garland - Me and My Shadows | |
 | "fine biopic despite a few minor flaws" | 2009-10-24 |
| Me and My Shadows: Life with Judy Garland was the way for Garland's daughter Lorna Luft to tell her mother's compelling life story. Many say she was the greatest entertainer who ever lived and that could well be the case. Nobody gave as much as Judy Garland did. Judy was one of a very rare kind: she could sing better than anyone I've ever heard and she could act better than anyone I've ever seen act--and that was on a bad day! She danced wonderfully, too, in the numerous movies she made. She danced onstage during many of her live concerts, too, much to the sheer delight and awe of her devoted audiences. Moreover, when Judy Garland was in a movie, it didn't matter who she danced with or with whom she was talking in any particular scene, your eyes were always on her. This biopic, done with great care and no doubt at least partially supervised by Lorna Luft, captures Garland's ups and downs incredibly well.
Look for exceptional performances by just about everyone in this film. Not everyone looked exactly like the people they played but Tammy Blanchard DID look a great deal like Judy, especially the very first time we see her walking on the yellow brick road on the set of "The Wizard of Oz." Judy Davis gives a stunning, electrifying performance as Judy Garland in her post-adolescent years. Alison Pill is just great as young Lorna Luft and Ellis Turner, Harrison Kane and Alex House play Joe Luft, Judy's only son, very well at three different ages. Dwayne Adams also plays a teenage Mickey Rooney to perfection. Victor Garber looks a bit like Sid Luft but from there on in the convincing acting makes up for the fact that the actors don't always look too much like the people they portray. Other reviewers have noted that there are several inaccurate details scattered here and there throughout the film--and they are right. For example, when Judy loses the Oscar for Best Actress in A Star Is Born, her then-husband Sidney Luft (Victor Garber) says "That's the greatest robbery since Brinks." Actually, that was something Groucho Marx stated to tell Judy how sorry and angry he was that she didn't win the award. If I have any other gripe with this DVD release it would be that it is missing a few scenes that were originally released when this came out as a two VHS tape set which is now unavailable. However, don't be too disappointed: the movie as it exists is rather faithful to Garland's real life and times even as it stands. The cinematography and the choreography couldn't have been better. In addition, the DVD comes with extras. There is a commentary by Lorna Luft; a "behind the scenes" featurette; and another featurette entitled "I Play the Palace." Terrific! Overall, this movie is a must-have for Garland fans although as others have said they will probably notice a few inaccurate details along the way and they will be annoyed that a few minutes were deleted from the original version sold as a two VHS tape set. Nevertheless, this is an especially good place to start for people just discovering the singular artistry of Judy Garland; and anyone studying the truly few and very rare major "superstars" of Hollywood will want this for their collections. | ||
 | Paris Is Burning | |
| "an unexamined life is not worth living" | 2009-10-17 |
| --Socrates
Paris Is Burning was far better than I expected it to be; I couldn't take my eyes off the screen! This is an excellent portrait of the minority (mostly black and Hispanic) drag queen community as it existed in New York City in the late 1980s. Watching this film you will discover how these people related to each other in all sorts of ways and how they handled their relationships not only amongst themselves but with their families and the straight, white world in general that wasn't exactly too accepting of them then and still has a ways to go toward true acceptance in our times. The footage of the "balls" these gay drag queens hold is fantastic. A ball is easily explained--the minority drag queens gather in a social hall and essentially take turns walking down the middle of the social hall as if they were rich and famous models walking down the runway. They get to be and feel the way they REALLY feel inside; and their peers cheer them on as they walk the walk. They get ratings by judges and prizes are often awarded. Of course, things get more complicated; not everybody is in love with everybody else. We learn how these gay men including the drag queens take each other on with wisecracks about their appearances; and the footage of them voguing shows us great dancing as well as a competition to determine who's the better man. There's also the concept of "houses;" these are the gay male/drag queen equivalent of street gangs. There is a leader of the house (or, group) called the "mother;" and the house has its rules as to how someone can become a member--perhaps, for example, they have to walk down that runway at a ball and snag a prize to become a house member. We also learn what it means to "mop;" and the footage with Dorian Corey reminiscing about the way things used to be when he was younger is fascinating. These men don't have it easy; one of them says that being black, male and gay gives them three strikes against them before life even starts! It's sad but that's the way things went; I would like to think things have improved somewhat with the election of an African-American president but I'm sure the members of this community still experience unfair prejudice. The film has lots of commentary from many members of the gay male and drag queen community who give us a good amount of insight as to how they cope with the social stress they must face and I liked that a great deal. The DVD comes with outtakes; and there's an optional running commentary as well. Paris Is Burning is an outstanding motion picture for anyone who wants to know what really went on in the minority drag queen/gay male community not so long ago. This film is quite well done and it deserves more recognition that it gets. | ||
 | Panasonic RPHT21 Lightweight Headphone | |
| "they do a good job for a rock bottom price" | 2009-10-15 |
| It's pretty unbelievable at first, but these inexpensive headphones really give you quite a bit of use for your money! They connect easily to MP3 players and similar devices; and the bass is awesome just as everyone says it is. Moreover, at this price you simply can't go wrong.
If you listen to a CD or MP3 player daily, I would recommend buying a few sets of these. They do go south eventually and you won't have to worry about waiting for another pair to ship. These are also much, much better than earbud headphones; the earbuds always make my ears hurt! The over the head strap is fairly comfortable and that alone makes this a much better choice than the earbud type of headphones. In addition, use these for young kids who may not be all that gentle with them. That way if they break or get lost you won't be out too much money. I highly recommend these headphones; they may not be the very best out there (after all, they're not Sennheiser, Skull Candy hesh headphones or Skullcrushers) but the sound quality is really quite good and you can't beat the price. You won't be too upset if these break or get lost, either. | ||
 | Stevie Wonder - Talking Book | |
| "a WONDERful album that comes from his heart" | 2009-10-07 |
| Talking Book has nothing but excellent music by Stevie Wonder, one of the greatest singers/songwriters/musicians/producers/social activists--and more--of all time; this is one of his truly special albums. Indeed, this CD is a must-have for any Stevie Wonder fan. Stevie never misses a beat on this CD and that's fantastic. The quality of the sound is very, very good and I like that artwork, too.
"You Are The Sunshine Of My Life" starts the album off with a stunning number; Stevie handles this with panache and that music fits in perfectly with his vocals. Great! His excellent sense of phrasing also enhances his performance. "Maybe Your Baby" has a funky beat to it that I always enjoy, especially when Stevie does it--what a great tune this is! "Maybe Your Baby" features Stevie at his usual very best and I love every minute of it. In addition, "You And I" gets a most sensitive treatment from Stevie who delivers this to perfection--and beyond! That piano arrangement is faultless and I really like "You And I;" it's a perfect song for weddings and those lyrics couldn't have been written any better. "Tuesday Heartbreak" just plain sounds good even after all these years; Stevie's style is classic and that's saying a lot! Stevie handles complex tempo and key changes seemingly effortlessly; but of course we know it really wasn't all that easy. Stevie Wonder's talent carries him through every time. "You've Got It Bad Girl" has some additional vocals--not that Stevie ever needed extra or backup vocals but they do sound pretty good anyway. "You've Got It Bad Girl" is very well done and I love that musical arrangement. "Superstition" remains one of Stevie's best numbers ever; just one listen will tell you why! That funky, rocking beat is infectiously catchy and Stevie sings passionately with all his heart and soul. "Superstition" is easily a major highlight of this CD. "Big Brother" has Stevie again doing his best--and how's about that harmonica? It all holds its own very well. "Blame It On The Sun" has an elegant piano arrangement and that percussion helps, too, as Stevie sings this from the very bottom of his heart. Its poignancy and that sense of sadness make "Blame It On The Sun" another huge highlight of this album. "Lookin' For Another Pure Love" is also very easy on the ear; songs like this really blow me away with Stevie's outstanding, singularly talented way to sing out a ballad so beautifully! The album ends very well with Stevie Wonder performing "I Believe (When I Fall In Love It Will Be Forever)." "I Believe (When I Fall In Love It Will Be Forever)" has a flavor to it that leaves me wanting more! Stevie Wonder gave so much of himself with this album and all the rest; we are so much better off for his sharing his talents with us. Not only is this awesome for any fan of Stevie Wonder, it also makes a great starter CD for people just getting into the magical artistry of Stevie Wonder. | ||
 | Stevie Wonder - Talking Book | |
| "a WONDERful album that comes from his heart" | 2009-10-07 |
| Talking Book has nothing but excellent music by Stevie Wonder, one of the greatest singers/songwriters/musicians/producers/social activists--and more--of all time; this is one of his truly special albums. Indeed, this CD is a must-have for any Stevie Wonder fan. Stevie never misses a beat on this CD and that's fantastic. The quality of the sound is very, very good and I like that artwork, too.
"You Are The Sunshine Of My Life" starts the album off with a stunning number; Stevie handles this with panache and that music fits in perfectly with his vocals. Great! His excellent sense of phrasing also enhances his performance. "Maybe Your Baby" has a funky beat to it that I always enjoy, especially when Stevie does it--what a great tune this is! "Maybe Your Baby" features Stevie at his usual very best and I love every minute of it. In addition, "You And I" gets a most sensitive treatment from Stevie who delivers this to perfection--and beyond! That piano arrangement is faultless and I really like "You And I;" it's a perfect song for weddings and those lyrics couldn't have been written any better. "Tuesday Heartbreak" just plain sounds good even after all these years; Stevie's style is classic and that's saying a lot! Stevie handles complex tempo and key changes seemingly effortlessly; but of course we know it really wasn't all that easy. Stevie Wonder's talent carries him through every time. "You've Got It Bad Girl" has some additional vocals--not that Stevie ever needed extra or backup vocals but they do sound pretty good anyway. "You've Got It Bad Girl" is very well done and I love that musical arrangement. "Superstition" remains one of Stevie's best numbers ever; just one listen will tell you why! That funky, rocking beat is infectiously catchy and Stevie sings passionately with all his heart and soul. "Superstition" is easily a major highlight of this CD. "Big Brother" has Stevie again doing his best--and how's about that harmonica? It all holds its own very well. "Blame It On The Sun" has an elegant piano arrangement and that percussion helps, too, as Stevie sings this from the very bottom of his heart. Its poignancy and that sense of sadness make "Blame It On The Sun" another huge highlight of this album. "Lookin' For Another Pure Love" is also very easy on the ear; songs like this really blow me away with Stevie's outstanding, singularly talented way to sing out a ballad so beautifully! The album ends very well with Stevie Wonder performing "I Believe (When I Fall In Love It Will Be Forever)." "I Believe (When I Fall In Love It Will Be Forever)" has a flavor to it that leaves me wanting more! Stevie Wonder gave so much of himself with this album and all the rest; we are so much better off for his sharing his talents with us. Not only is this awesome for any fan of Stevie Wonder, it also makes a great starter CD for people just getting into the magical artistry of Stevie Wonder. | ||
![Barbra Streisand - The Way We Were [Remaster]](product_images/216000/216523_thumb.jpg) | Barbra Streisand - The Way We Were [Remaster] | |
| "I'll have what she's having" | 2009-10-04 |
| Whatever Barbra Streisand had in her drinking water when she recorded these songs must have been so special, magnetic and powerful that I wouldn't mind drinking some of it myself--maybe then I could actually sing as a tenor every bit as beautifully as Barbra sings! Barbra Streisand's album The Way We Were has nothing but the very best from this wonderful, singularly talented songbird! I do agree with reviewers who note that they should have added the other version of "The Way We Were;" that is a disappointment but the rest of this album is just so good that it still stands well on its own. There's not a dud in the bunch here; and that's terrific. In addition, I like that cover art that incorporates the artwork from the original record album release; and the quality of the sound is superb.
"Being at War with Each Other" starts the track set with a dynamic, striking number that Streisand aces as effortlessly as if it were mere breathing--but, of course, we know it really isn't all that easy. Barbra's talent easily carries her through. The music fits perfectly with Barbra's vocals--and how's about that brass? "Something So Right" lets Barbra do an awesome cover of this poignant tune by Paul Simon; she makes it sparkle brighter than silver and gold with her magnificent delivery! Her excellent diction and her fine sense of timing makes Barbra's delivery all the better. "(The) Best Thing You've Ever Done" is very well done with excellent use of the strings and percussion; and of course the title track is flawless. Barbra sings "The Way We Were" with panache and I'm very impressed. "All in Love Is Fair" strikes me with its natural beauty and that overwhelming sense of melancholy; this ballad by Stevie Wonder is unforgettable in Barbra's capable hands. The percussion is again used quite well and Barbra sings this with all her heart and soul; you can really tell it's true with just one listen! "What Are You Doing the Rest of Your Life?" has always been one of my very favorite love songs; Barbra sings this to perfection-and beyond! I love it; this leaves nothing to be desired--this music is all THAT good. "Summer Me, Winter Me" is gorgeous when Barbra sings it; those strings really add to the lushness of the ballad. "Pieces of Dreams" is easy on the ear; and I really like "I've Never Been a Woman Before." The album ends very nicely with Barbra Streisand performing a medley of "My Buddy" and "How About Me." The music provides the faultless accompaniment to Barbra's vocals and it also leaves me wanting more! Barbra Streisand never fails to please her fans; and albums like this prove it. This is a must-have CD for Streisand fans; and people who enjoy classic pop vocals would do well to add this to their music collections. | ||
 | 41 Original Hits From The Soundtrack Of American Graffiti | |
| "splendid, ageless music that will never be forgotten" | 2009-09-21 |
| American Graffiti had an abundance of terrific, classic hits from the 1950s and early 1960s; and just one listen proves it! There's an excellent degree of diversity amongst these rock and doo-wop artists; but they all have one thing in common--they were the best of their time. The quality of the sound on this two CD set is excellent and I like the artwork as well.
There's so much great music here; and there's not a dud in the bunch. The first CD opens with Bill Haley & The Comets giving their all on "(We're Gonna) Rock Around the Clock;" this was a massive hit for them! The music is perfect and it still rocks great today! The Crests outdo even themselves on "Sixteen Candles;" this charming ballad moves me with its natural beauty and that's grand. "Why Do Fools Fall in Love?" gets the royal treatment from Frankie Lymon & the Teenagers; they do this faultlessly and that horn solo is perfect! Buddy Holly's "That'll Be the Day" lacks nothing, either--this music is all THAT good. "At the Hop" has a great, fast beat that's good for dancing even today; and The Diamonds' "Stroll" is a magnificent tune that I really like. Listen also for The Tempos to do great justice to "See You in September;" and The Beach Boys perform "Surfin' Safari" without a hitch! In addition, The Platters' "Smoke Gets in Your Eyes" glows brighter than silver and gold as they do this gentle ballad to perfection--and beyond! The Diamonds' "Little Darlin'" was always one of my favorites; and Joey Dee & the Starliters are wonderful on "Peppermint Twist." Great! Buddy Holly's "Maybe Baby" is another fine tune, too. The second CD continues the great numbers. Chuck Berry's "Johnny B. Goode" is classic early rock and roll; the music fits perfectly with Chuck's vocals and that electric guitar enhances this all the more. The Flamingos deliver "I Only Have Eyes for You" with panache; and "Get a Job" by The Silhouettes is another one that still sounds terrific in our times. "Do You Wanna Dance" gets a fine treatment from Bobby Freeman and there's yet another gem in "Come Go with Me" by The Del Vikings. I love it! Johnny Burnette does "You're Sixteen" with lots of positive energy; and The Skyliners' "Since I Don't Have You" also shines bright. "Chantilly Lace" by The Big Bopper is very well done. The Heartbeats perform "A Thousand Miles Away" flawlessly. Awesome! Of course, Booker T. & the MG's "Green Onions" is an instrumental number that always sounds cool and hip; and listen for The Platters to deliver "Only You (And You Alone)" without ever letting go of a single superfluous note! The second CD ends very nicely with The Beach Boys doing "All Summer Long;" this leaves me wanting even more! I highly recommend this two CD set for anyone who enjoys music from the 1950s and early 1960s when there certainly was a certain type of innocence that just doesn't exist these days. This is also a fine starter CD set for people just getting into this genre of music. | ||
 | The Borowitz Report : The Big Book of Shockers | |
| "I read part of it all the way through" | 2009-09-21 |
| The Big Book of Shockers by Andy Borowitz is one of the funniest books I've read in years! Andy's style of humor is fantastic; he's very creative and he makes it seem so easy to write these even though we know it takes a lot of talent to produce a book like this. His writing style is clear and concise; and it's not too hard to laugh even when he's poking fun at newsworthy people who you may well like and admire. Democrats and Republicans alike get blasted hilariously in this book!
The book consists of just over 100 pages; and most of them have "shockers;" "shockers" are essentially fake news articles that have the flavor of a real news article but are so preposterous that you know they couldn't really be true. Of course, there are other shockers that aren't quite so far from the truth; and some of the best articles are the one page shockers that take reality and exaggerate somewhat for effect. Look out for Kim Jung Il's "blog!" Sure, many of these funny bogus news reports were probably written a few years back based on the topics but you'll still laugh uproariously! Read this when you want to savor some outstanding humor as you take your time to go through the book; this shouldn't be rushed otherwise you won't get the maximum numbers of belly laughs out of this! I highly recommend this book by Andy Borowitz; he's incredibly gifted and it's great that he shares his talent for poking fun at the news and famous people. Although this book is geared toward people who keep up with the news; there'll be lots of fun in this for you even if you aren't up on the news. Thank you, Andy Borowitz! | ||
 | Jay & The Americans - Come A Little Bit Closer | |
| "WONDERFUL! WONDERFUL!" | 2009-09-20 |
| Jay & The Americans produced great music in their day; and this CD has some of their very best tunes! They had a fantastic ability to make any number meaningful, strong and memorable with their sophisticated phrasing and their keen sense of timing. Even after the Jay Traynor was replaced by David Black (who took on the name of Jay Black so the group could keep its name), these artists still had awesome hits! The quality of the sound on this CD is excellent and I like that artwork, too.
"Tonight," a show tune from "West Side Story;" gets the royal treatment from Jay & The Americans; they sing this without skipping a beat and that's grand. The backup singers harmonize well--not Jay & The Americans ever needed backup, but they do sound pretty good anyway. "She Cried" is an impressive ballad; and listen for "Dawning" with its energetic arrangement. "Only In America" got lots of airplay when it was released by this group; it made the airwaves sizzle and it still sounds every bit as good today! "Only In America" is a major highlight of this album. "Come Dance with Me" is very well done; and I really like "Come A Little Bit Closer." "Come A Little Bit Closer" by Tommy Boyce and Bobby Hart practically belongs to this fine group and they never miss a beat! "Cara Mia" is my very favorite number by Jay & The Americans;" they perform this with panache and I'm very impressed. This number leaves nothing to be desired--this is all THAT good. "Some Enchanted Evening" comes from "South Pacific" and these young men do a fine rendition of this tune--I love it! "Why Can't You Bring Me Home" features Jay & The Americans doing yet another wonderful job; and there's a major gem in their rendition of "Crying." "(He's) Raining in My Sunshine" is sad yet beautiful as they sing this to perfection--and beyond! "What Will My Mary Say" is another cover that is so very poignant when Jay & The Americans deliver it faultlessly. "This Magic Moment" stuns me with its natural beauty; what a love song this is! "Hushabye" showcases Jay & The Americans yet again; and they do a fine job on "Walkin' in the Rain." Terrific! "Do I Love You?" has quite a beat; and the Italian version of "She Cried" is very beautiful. "Come a Little Bit Closer" is well done--even though this version is in Spanish it just plain sounds so good I think you'll enjoy it anyway! "Things Are Changing" is also brilliantly performed by Jay & The Americans. Jay & The Americans will never be forgotten; they produced so much and we are better off for their having shared their talents with us. This is a fine single CD compilation and it's also a great starter CD for people just getting into the artistry of Jay & The Americans. | ||
 | Barbra Streisand - Stoney End | |
| "just wonderful" | 2009-09-17 |
| Barbra Streisand always sings beautifully; she's one of the very best female vocalists of all time and maybe she's even the best of all time! Stoney End was a departure from what she had done up until that point; but she needed have worried; the album was clearly a huge success and it's still available on CD today in the secondary market. They need to re-release this soon with a fine digital remastering job that this so richly deserves! The quality of the sound is very good, though; and of course the artwork is great--they used the cover artwork from the record album version of this CD and that's great.
"I Don't Know Where I Stand" is a Joni Mitchell song that begins the track set with a gorgeous, rich ballad that has music fitting perfectly with Barbra's vocals--but the musicians wisely never even try to steal the show away from Barbra; she remains squarely front and center right where she remains! "Hands off the Man (Flim Flam Man)" has a fine arrangement; and Barbra sings this to perfection--and beyond! The brass sounds terrific and Barbra makes this seem so easy--but of course we know it really wasn't all that easy; Barbra's talent invariably carries her through. "If You Could Read My Mind" has Barbra doing a stunning cover of this classic ballad by Gordon Lightfoot; she delivers this well and her sophisticated phrasing enhances her performance all the more. "Just A Little Lovin' (Early in the Mornin')" by Barry Mann and Cynthia Weil charms me with its natural beauty; and listen for another awesome song when Barbra sings Randy Newman's "Let Me Go." "Let Me Go" lets Barbra really open up and belt this out with panache and I love it! "Stoney End," the title track, has always been one of my favorite Barbra Streisand numbers; she does this passionately and she never skips a beat, either! I'm very impressed. "Stoney End" is another tune that lets Barbra belt it all out, too; and that's grand. In addition, "No Easy Way Down" has Barbra singing at her usual very best; and those backup singers harmonize wonderfully. Of course, Barbra never needed backup--but they do sound pretty good. "Time And Love" is most spirited; and the music is so good--it all holds its own very well. "Maybe" has Barbra singing a country flavored tune with all her heart and soul; I always admire just how well Barbra does this number whenever I play this CD. "Free The People" has enough energy to light an entire city; and the CD ends very well with Barbra Streisand performing "I'll Be Home." It certainly leaves me wanting more! Barbra Streisand's talent is so special that it's beyond remarkable; and we are also much better off for her sharing her talent with us. This is a must-have for any Barbra Streisand fan; and even people just getting into Barbra's magical artistry will not be disappointed. | ||
 | Peter Paul & Mary - Such Is Love | |
| "THANK YOU, PETER, PAUL & MARY--AND R.I.P., MARY TRAVERS: WE WILL NEVER FORGET YOU" | 2009-09-17 |
| I am NOT a happy camper this evening--yet another person I really, really admired passed away today; I feel particularly numbed and upset by the loss of Mary Travers. Mary could sing the phone book and make it sound like a gorgeous symphony; and of course as part of Peter, Paul & Mary she was incredible! Mary did record a few albums independently over time but she is best known for her work as part of Peter, Paul & Mary. The threesome do a fantastic job on this album; and their rapport with their adoring audience is terrific. The quality of the sound on this album is excellent and I like that artwork, too.
"Such Is Love" starts the CD off with a tender, thoughtful ballad; Peter, Paul & Mary deliver this faultlessly and I love it! Their sophisticated phrasing and their excellent diction enhances their performance all the more; and the guitar playing is wonderful. "Power" is also quite well done; when these three harmonize they sound so good and the individual lines they sing at slightly varying times really has a great effect. "Would You Like to Learn to Dance" is a very pretty ballad; it's easy on the ear and very sweet. "Would You Like to Learn to Dance" is definitely another highlight of this album. "Music Speaks Louder than Words" again has this trio doing this beautifully in their signature style and I'm very impressed. Great! "Don't Go Down to The Quarry" has good sound effects and it all holds its own very well. In addition, listen for "There But For Fortune;" "There But For Fortune" shines bright when Peter, Paul & Mary ace this as effortlessly as if it were mere breathing! There wasn't anything this trio couldn't do when they got together to perform. "Every Flower" gets a most sensitive arrangement; and "Delivery Delayed" is memorable, to say the least. "Wild Places" is another fine number that gets the royal treatment from Peter, Paul & Mary; and the CD ends strong with the trio performing "Stewball" as they encourage the audience to sing along. "Stewball" was always one of my very favorite Peter, Paul & Mary songs and they never miss a beat here, either! Mary Travers died today; this exceptionally talented trio can never perform or entertain us again. This is sad and upsetting; but at least I can say that Mary and the others as a trio still exist through their wonderful recordings and a good video documentary or two. Theirs was a type of artistry so singularly beautiful and charming that it will be a very long time before we hear anything like it again. Fans of Peter, Paul & Mary would do well to add this to their collections; and of course anyone who thinks as highly of Mary Travers as I do should get this as well. R.I.P., Mary Travers! Your contribution to Peter, Paul & Mary was incalculable; and we will never forget you! | ||
 | Little Dieter Needs To Fly | |
| "I tip my hat to Dieter Dengler !!!" | 2009-09-17 |
| Werner Herzog turned out an gripping documentary when he made Little Dieter Needs to Fly. This fine documentary tells the true story of Dieter Dengler who went through h*ll after being shot down in his plane while on a mission during the Vietnam War. While this isn't exactly a pretty story, the film moves along at a good pace. The cinematography is excellent and Herzog went to great lengths to recruit native Asian men (in Laos) who essentially act out some of the things his torturers did to him when he was their prisoner.
When the movie starts, we quickly learn that Dieter was only a small child when he watched helplessly as Allied planes nearly crashed into his bedroom window when they made air raids on Germany during World War II. While this certainly could have caused Dieter to avoid aviation, it had the opposite effect: Dieter wanted more than anything to be able to fly a plane. When he was eighteen, Dieter left Germany to immigrate to America; and he learned to fly. He was also drafted into the air force during the Vietnam War; and the majority of this film has Dieter telling us his story so we know what he experienced as a prisoner of war held by the Vietcong. What happened to Dieter is so terrible it's a small miracle he survived. Actually, I take that back--it's a HUGE miracle that he survived. I don't want to spoil too much of it for you but I will say that his captors were so cruel I haven't seen anything like it except for the Nazi concentration caps during World War II. His stories about the exact nature of his torture, the prison camp where he was held and a planned escape are harrowing to say the least. There's another amazing story of him and a buddy almost going over a monstrous, crushing waterfall on a raft; they just managed to escape death that day, too. I won't tell you how Dieter ultimately found freedom; it's very poignant and a stunning tale that I won't forget anytime soon. My only disappointment is that, as others have noted, we know next to nothing else about Dieter Dengler. True, Dieter tells us that he learned to be a blacksmith and that he toiled hard hours as an apprentice; but we honestly learn little else about him except for a very quick view of his current home outside of San Francisco where he hoards tons of food to make sure that he never has to go hungry again. The film essentially remains a tale of Dieter's experiences as a prisoner; there is little said about his childhood and nothing at all is said about his current personal life except that he likes to open and close doors so that he doesn't feel trapped like he was when he was brutally tortured. Overall, Little Dieter Needs to Fly hit me over the head like a ton of bricks; this story is all THAT shocking and horrific. It's a real testament to Dieter's strength that he lasted through everything that came his way. I certainly wouldn't have lasted through all that; I tip my hat to Dieter Dengler! | ||
 | Dirty Dancing: Original Soundtrack From The Vestron Motion Picture | |
| "I wanted to write a dirty review, but it's really superb" | 2009-09-16 |
| This has not been my best summer--for one thing, a lot of people passed away. I certainly had a lot of respect and admiration for Patrick Swayze. He had worlds of talent as evidenced by his fine performances in motion pictures--and his singing on this album. This CD soundtrack to one of Patrick's movies, Dirty Dancing, has terrific music that gets my foot tapping to the beat of these tunes every time I play this album! There is a good diversity of artists and the quality of the sound is excellent. I also like the artwork.
The album begins with Bill Medley & Jennifer Warnes performing "(I've Had) The Time of My Life;" they do this with panache and I'm very impressed. They sing together very well and this opening number is easy on the ear and memorable to say the least. The music makes good use of the percussion and strings, too. Great! The Ronettes follow with one of their best tunes ever, "Be My Baby." "Be My Baby" is quite passionate; and The Ronettes' excellent diction and timing makes their performance very strong. The percussion is excellent and overall this music lacks nothing--The Ronettes' "Be My Baby" is all THAT good. In addition, Patrick Swayze and Wendy Fraser do a great job on "She's Like the Wind." "She's Like the Wind" hit the airwaves big when it was originally released and that's grand; it brings back good memories for me. "Hungry Eyes" was a hit for Eric Carmen; he delivers this faultlessly and I love it. Maurice Williams and The Zodiacs do justice to "Stay;" they do this one without ever letting go of a single superfluous note! The Blow Monkeys do a stunning job on "You Don't Own Me" which I first heard sung by Leslie Gore; and there's another gem in Bruce Channel's "Hey Baby." "Hey Baby" has a musical arrangement that fits perfectly with Bruce's vocals and I particularly like that harmonica. Mickey & Sylvia do a classic hit entitled "Love Is Strange;" they sound great together and it has a certain romantic flavor to it that I just plain like. The CD also ends strong with "(I'll Remember) In the Still of the Night" performed by The Five Satins. The Five Satins made it all seem so easy--but of course we know that it really wasn't all that easy. Their talent carried them through. Overall, the CD soundtrack to the movie Dirty Dancing is loaded with incredible music; I mentioned most of the tracks but there's really not a dud in the bunch here. I highly recommend this for people who enjoy romantic music both old and (relatively) new. Of course, fans of the movie itself would do well to add this to their collections. R.I.P. Patrick! Thank you for everything! | ||
 | Johnson & Johnson Hypo-Allergenic Paper Tape | |
| "it does what you need it to do" | 2009-09-16 |
| Johnson and Johnson makes a great non-irritating paper tape suitable for holding gauze bandages and other bandages right up against your skin while wounds heal. The hypoallergenic paper tape represents a big plus. The tape is a full inch wide to make it easy to manipulate with your hands; and it is hypoallergenic.
Only one thing to keep in mind: if you have hair at the site of the wound or nearby the tape might be painful to remove. Try to be as gentle as you can when removing this tape under those circumstances. Overall, this great tape will satisfy you. The adhesive quality will please you, too. This tape makes it possible to secure gauze and other types of bandages so that wounds heal properly. I highly recommend this tape. | ||
 | One and Only Love Album | |
| "classic soft rock love songs that will always be in style" | 2009-09-12 |
| This awesome two CD set boasts a total of twenty-four tracks that are perfect "make-out" music; it's terrific to hear so many ageless tunes! There are a lot of artists on these two CDs and that's great. The quality of the sound is very, very good and I like the artwork as well.
The first CD starts with Elton John performing "Your Song." He does this with panache and I'm very impressed. Elton sings with great sensitivity and it's truly an ageless love song. Vanessa Williams' "Save the Best for Last" has her singing at her very best and the music fits perfectly with her vocals. The Association does "Never My Love" with a lot of heart and soul; they really do this wonderfully and they never miss a beat, either! "Never My Love" is easily a major highlight of this album; and there's yet another huge, huge gem, "How Can You Mend a Broken Heart?" which gets the royal treatment from The Bee Gees. The Bee Gees deliver this faultlessly and it's a very special, tender, melancholy song, to say the least. Bread does "Make It with You" without ever letting go of a single superfluous note; they always made it seem so simple but of course we know it really wasn't easy--their talent carried them through every time. "Make It with You" charms me with its natural beauty and I could never tire of hearing Bread do this gorgeous song. Extreme's "More Than Words" is also very well done; the guitar arrangement is quite handsome and it all holds its own very well. We also get Eric Clapton with his tune "Wonderful Tonight;" "Wonderful Tonight" could never go out of style--this is really great music! "Up Where We Belong" gets a fine treatment by Joe Cocker and Jennifer Warnes; and the first CD ends with The Pretenders' "I'll Stand by You." The second CD continues the hits. Peter Frampton does "Nassau/Baby, I Love Your Way" to perfection--and beyond! His genius really shows on this track. "I'd Really Love to See You Tonight" brings back good memories from when this was first released; England Dan & John Ford Coley do this one up right! In addition, Harry Nilsson's "Without You" shines brighter than silver and gold when he delivers this with so much emotion that I'm amazed. "Reunited" by Peaches & Herb is another stand-out; and listen for ABBA to do their hit entitled "Fernando." "Fernando" features ABBA doing some of their best work. Great! Air Supply's "All Out of Love" is certainly quite beautiful; it's very pretty and easy on the ear, too. "Endless Love" will always remain a classic by Diana Ross and Lionel Richie; they sing so well together! The Moody Blues do "Nights in White Satin" with style and a lot of grace; and the second CD ends quite nicely with Rod Stewart performing "Reason to Believe." One and Only Love Album is a two CD set that has nothing but incredibly fine, timeless love songs that are perfect for some special time all alone with your sweetheart. I highly recommend this set for anyone who enjoys classic love songs. | ||
 | Rolling Stones - 12 X 5 | |
| "fine early album from The Stones--but when haven't they done a great job ???" | 2009-09-12 |
| 12 X 5 gives us some of the very best of The Stones' early work; the CD has some bluesy numbers and the instrumental "2120 South Michigan Avenue," the address of Chess Records where a number of these songs were recorded, also shines. The Rolling Stones perform very well on this CD; but when didn't they do everything they could to please their fans? Their longevity proves that their fans still enjoy their music; and that's terrific. The quality of the sound on this CD is excellent and I like that they used the artwork from the original record album cover.
"Around and Around" has a great bluesy/rockin' sound to it that makes it a strong number with which to open this album. Chuck Berry would be proud! The electric guitars are awesome and I like that percussion and the drums! "Confessin' The Blues" continues in the same vein and The Rolling Stones ace this seemingly effortlessly; but of course we know it really wasn't all that easy--their talent always carries them through. Mick Jagger's singing is faultless, too. Great! "Empty Heart" impresses me; that harmonica and percussion enhance the musical arrangement as they bat this right out of the ballpark! I love it. Jerry Ragovoy's "Time Is on My Side" is one of my favorite early Stones tunes even if some people prefer the guitar-intro version, what we get here is the organ-intro version. The blues flavor of this cover song is terrific; and it all holds its own very well. "Good Times, Bad Times" is essentially acoustic; it has Mick singing squarely front and center as the stripped down music compliments his singing to perfection--and beyond! "Good Times, Bad Times" is really great and it makes a fine ballad for this album. "It's All Over Now" is quite an energetic number that many Stones fans (and even non-Stones fans) will recognize; this was first released by The Valentinos with Bobby Womack and then covered by The Rolling Stones. The Stones do this flawlessly and it blows my mind! "It's All Over Now" has great vocals and the music with those guitars and more make this one of the best early numbers by The Stones. "2120 South Michigan Avenue" is a strong instrumental with a distinctly `60s flavor to it--but don't worry; it still sounds awesome in our times. "Under The Boardwalk" again showcases the band's ability to cover a song (this time by The Drifters) with panache; they sing and play this wonderfully and this music lacks nothing--this is all THAT good. "Congratulations" is another great, melancholy ballad that describes a man's ache when his woman leaves him; and there's "Grown up Wrong" with its percussion, vocals, and a mixture of major and minor keys to make this a fine tune indeed! "If You Need Me" has a R&B style popular then and even now; The Rolling Stones perform this wonderfully; it's got a fine rhythm and these artists never miss a beat! The album ends strong, too, with The Rolling Stones performing "Susie Q." "Susie Q" rocks and I those guitars make it a real stand-out of this CD! The Rolling Stones scored a huge goal in my book with this album; this is fine music that is a necessity for any fan of The Rolling Stones. It also makes a fine starter CD for people just discovering The Stones; and anyone who likes R&B from the 1960s would do well to add this to their collections. | ||
![In the Valley of Elah [Blu-ray]](product_images/4939000/4939135-in-the-valley-of-elah-blu-ray_thumb.jpg) | In the Valley of Elah [Blu-ray] | |
| "war doesn't always make heroes" | 2009-09-10 |
| In the Valley of Elah tells a story that will stick in your mind long after you watch it even if you don't agree with the message of the movie. The acting is extremely well done although I do think Susan Sarandon's role could have been beefed up more; I'm one of the people who feel that she was underutilized in this film although her acting was brilliant. The plot moves along at a good pace although things speed up during the last forty-five minutes or so of the film; and that does make things more interesting. As the plot deepened, I really couldn't keep my eyes off the screen. In addition, the cinematography is excellent.
When the action starts, we meet Hank Deerfield (Tommy Lee Jones) who lives in Tennessee with his wife Joan (Susan Sarandon). Hank gets a phone call from his son's military base at Fort Rudd, New Mexico, stating that his son Mike is AWOL from the base. Hank didn't know that Mike had returned from Iraq just a few days earlier. Hank, having been in the military as an investigator for quite some while, wants to find his son Mike without bringing in the military police so that Mike can be found without getting him into too much more trouble. When Hank travels to Fort Rudd in the Southwest, he meets police detective Emily Sanders (Charlize Theron) who doesn't display any interest in helping Hank find his son. After some prodding, Emily takes Hank to the place where Mike's body was found--chopped up after being burned and dragged along a field. Although there is some fighting between the army and other police officers over which agency bears the responsibility of working on the case, eventually an extensive military investigation into the crime starts with Emily trying hard to lead the crew who are working on the case. Once all this starts, there are plot twists and turns that you simply won't see coming. Many people are interviewed about the crime including Cpl. Steve Penning (Wes Chatham), Spc. Gordon Bonner (Jake McLaughlin) and Spc. Ennis Long (Mehcad Brooks). Emily and a few others think they have the killer when they corner Pvt. Robert Ortiez (Victor Wolf); but that lead turns up cold after quite a chase scene. At the same time, Hank Deerfield forms an unlikely friendship with Emily as they continue to work together to determine who killed Mike when and why. The plot, of course, can easily go in many different directions from here. What happens when Mike's mother Joan goes to Fort Rudd to see the remains of Mike's body? How can Hank push the authorities when he himself has limited power? After all, he really can't do much more than prod Emily Sanders and the others to do what's right. Will Mike's friends Steve, Gordon and Ennis be able to provide clues to what happened to Mike? No spoilers--watch and find out! In addition, the DVD comes with some interesting outtakes. In the Valley of Elah tells a powerful story about the degree to which people can become corrupted by war even after they have finished serving in the battlefields. It's an interesting and poignant story that could happen anywhere even though this particular film is merely based on actual events. In addition, the film brilliantly portrays an unusual type of coming-of-age story--not of a younger person but, in this case, of the young man's father, Hank Deerfield, who learns that war doesn't always produce heroes. | ||
 | Sergio Mendes & Brasil '66 - The Very Best of Sergio Mendes & Brazil 66 | |
| ""jet set" pop in a bossa nova style never sounded so good" | 2009-09-10 |
| Sergio Mendes was a talented genius; and when he teamed up with others to form Sergio Mendes & Brasil '66 they made incredibly fine, easy listening bossa nova music that stands the test of time with a vengeance! Lani Hall, the lead singer, does a magnificent job of making this all so very special. These songs remain every bit as wonderful and entertaining today as they were when they were originally released. In addition, the quality of the sound on this two CD set is excellent and I like that artwork, too.
This two CD set boasts a total of 48 tracks; and it's tough to single out any set of them as being great; they all get the royal treatment from these fine artists! On the first CD, "Mas Que Nada" just plain sounds good; the vocals and the music fit together brilliantly to make this a strong starter song for the two CDs. "Viola" is very well done; and I love their cover of "With a Little Help from My Friends." "With a Little Help from My Friends" features Sergio Mendes and his peers squarely front and center--which is right where they belonged and still belong! I love it. "Wichita Lineman" stuns me with its beauty; they do a cover of this with panache and I'm impressed. "Batacuda (The Beat)" has a splendid musical interlude; and listen for ""Roda" which they perform to perfection--and beyond! "Fool on the Hill" is yet another wonderful cover of a Beatles song; I would like to think that The Beatles would have approved of this cover of their tune! "You Stepped Out of a Dream" is most romantic and I really like the musical arrangement for "Moanin.'" "Cinnamon and Clove" has Sergio Mendes & Brasil '66 doing this without ever letting go of a single superfluous note--terrific! "Like a Lover" is nothing short of brilliant--this music is all THAT good. In addition, "Ye-Me-Le" shines bright when Sergio Mendes & Brasil '66 deliver this faultlessly. "Viramundo" makes excellent use of the percussion and this all holds its own very well. The second CD continues to give us beautiful music. "Wave" is simply gorgeous; I could never tire of hearing Sergio Mendes & Brasil '66 do "Wave." They also put their own stamp on "What the World Needs Now" by playing with tempo and keys and it works! "Lost in Paradise" is another fantastic highlight of the second CD; this gets a very sensitive treatment. "Night And Day" proves they can handle even a Cole Porter tune; and I like their rendition of "Scarborough Fair." "The Look of Love" is very elegant; and their medley of "One Note Samba" and "Spanish Flea" works even though I wasn't initially sure that it would sound good--but these greats make it all shine! "Agua de Beber" is beautiful Brazilian boss nova music; and "Canção Do Nooso Amor" completely charms me. What a special song this is! "Bim Bom" is very good; and listen for yet another gem in "So Danço Samba" which they perform without ever missing a beat! "Constant Rain (Chove Chuva)" is very passionate and full of genuine feeling; and the second CD ends very nicely with Sergio Mendes & Brasil '66 performing "Pradizer Adeus (To Say Goodbye)." Sergio Mendes & Brasil '66 made some of the most beautiful easy listening bossa nova music I've ever heard; and I highly recommend this for their fans. Lani Hall carries the lead vocals flawlessly. People just discovering this group should consider this an excellent introduction to their magical talent. | ||
 | Girlhood | |
| "fine documentary that asks if a rose can rise up from the concrete" | 2009-09-08 |
| Girlhood tells the story of two young girls locked up in The Waxter Juvenile Facility in Baltimore because they committed violent crimes. The film is intense and very blunt but it also does a great job of showing the human side of these two young people over a three year span of time. The teenagers are remarkably frank and candid about their experiences both good and bad with family members, friends and more; and they don't outwardly feel ashamed to talk openly about the crimes they committed even though a lot of us would not be comfortable with what they did, let alone discussing it all in a documentary film. The cinematography is excellent and the director made sure we really got excellent insight into what made these two girls "tick" and that's impressive.
When the film starts we meet two young girl named Shanae and Megan; and they both have stories that are interesting although they're not exactly happy stories. Shanae is serving time for stabbing a friend three times during a fight; the other girl died and Shanae simply tells us that she "blanked out" during the fight. Megan is in the same detention center for cutting up a girl (who apparently survived) with a box cutter during a fight; by the time we meet Megan she has already run away from close to eleven foster homes. The film tells us about the struggle each girl must face to regain a life with at least a semblance of normalcy. It isn't easy. Shanae finally comes to the point where she is mature enough to understand what she has done and she begins to realize that she has to serve some time as a consequence for what she did, even if she never acts particularly remorseful. Megan, on the other hand, is much more feisty and difficult for the staff to control; she tries to run away from Waxter on one occasion and her relationship with her drug-addicted mother is far from smooth. Of course, I can't spoil it for you so I won't go into too much detail here. Suffice it to say that both girls grow during the three years spanned in this documentary; and the filmmakers even added a bit of extra footage to show what Shanae was able to do in the fourth year after we first meet her despite the adversities she had to face. The DVD comes with a few extras but definitely the one you want is the running commentary with director Liz Garbus. It's very informative. Girlhood is a fine DVD that shows how even some of the toughest young people can improve themselves with time. The staff in the juvenile detention center was concerned and caring despite being rather tough and rigid on the surface; and this helped Shanae and Megan considerably. I highly recommend this film for anyone interested in the issues explored in this documentary. | ||
 | The Broadway Melody | |
| "fine entertainment with themes that remain so very relevent" | 2009-09-07 |
| The Broadway Melody Of 1929 was the first "talkie" to receive an Oscar for Best Picture. The film was distinctly modern for its time although in our times the story would never suffice as a movie plot. Some people say that the thin plot was essentially an excuse for song and dance numbers--and they are right. Bessie Love and Anita Page play the two sisters Hank and Queenie Mahoney respectively; and they do a good job of it. Just one look at Charles King as Eddie Kearns tells you he's the good guy who can't help being human; and Kenneth Thomson gives a great performance as the rich playboy Jacques Warriner (a reference to Jack Warner, I would think). Arthur Freed himself gets a small role as a bystander in the rehearsal room for Francis Zanfield's latest Broadway production; the character of Francis Zanfield clearly refers to the great Flo Ziegfeld--excellent!
When the film starts, we meet sisters Hank and Queenie who arrive in New York to seek fame and fortune on Broadway. They talk it over with Eddie (Charles King), who loves Hank until he gets a glimpse of Queenie now that she's "all grown up." Eddie tries to get the sisters into the latest Broadway show being staged by Francis Zanfield. Things begin to happen both for the better and for the worse as Eddie realizes that he loves Queenie and not Hank anymore. Queenie tries not to interfere with Eddie and Hank; she doesn't want to steal her sister's boyfriend. Queenie dates a rich playboy named Jacques (Kenneth Thomson) so that Hank still has a real chance to be happy with Eddie. However, Jacques' money may not be enough to win Queenie's true love. Queenie winds up having to choose between Eddie and Jacques; and her decision effects Hank's life, too. The shades of black and white complement the fine acting perfectly; and the superb musical numbers strike you as infectious even today. The movie score boasts the infectiously happy "The Broadway Melody;" "You Were Meant For Me" and "Truthful Parson Brown." These numbers are sung with the great sensitivity you expect from a MGM musical and the musical arrangements reflect forethought, too. There are some intertitles cards so that the audience can easily understand the way the plot is going--you can tell by this that Hollywood hadn't completely disposed of some of silent picture devices when this film was made. The cinematography is quite good--for it's time. The opening moments feature beautiful aerial views of Manhattan; the lighting is good and the subjects are well framed within the screen. The strength of the choreography shows in the dance numbers as well as the brief fight scene between Eddie and Jacques. In addition, the sound quality is actually pretty good--thanks to people who walked around very quietly while carrying microphones, safely out of the range of the camera. The DVD offers wonderful extras, too. MGM spoofs its own movie with "The Dogway Melody." The trained dogs act out a story that is remarkably similar to The Broadway Melody of 1929; and it's actually quite entertaining! We get some "Metro Movietone Revues," too, which showcase other talented acts in short movies. Gus Van and Joe Schenk perform in their own musical short as well. Sure, the plot is somewhat corny, contrived and predictable--but, then again, who cares? The film is excellent for its time; and I love that. The actors show the human sides of the characters they play through good acting; and the musical numbers exceed my expectations for a film from this era. The movie held my attention throughout and the themes of love, humanity and wanting success will remain forever relevant to us both today and in the future. I tip my hat to MGM and these outstanding actors for producing such a treat as The Broadway Melody of 1929! Great job, everyone! | ||
 | Neil Sedaka - Laughter in the Rain: The Best of Neil Sedaka, 1974-1980 | |
| "fine music from an extraordinary talent" | 2009-09-07 |
| Neil Sedaka always sings beautifully and this album of his is certainly no exception! Although time has passed since he first became a star, Neil remains in excellent form both on this CD and today; he delivers the songs on this album with genuine feeling and great sensitivity. There are songs on this album which were also penned by Neil--what an artist! The quality of the sound on this CD is excellent and I like the artwork.
"Laughter in the Rain" begins the set of songs with Neil singing faultlessly; he opens up and really puts a lot of himself into this number to make it special; he also handles complex tempo and key changes like the pro he was and still remains! The backup singers harmonize quite well--not that Neil needs backup but they do sound pretty good anyway. "Love Will Keep Us Together" is a Neil Sedaka song that I first heard performed by Captain and Tennille; Neil bats this straight out of the ballpark! It's amazing and I love every minute of it. "That's When the Music Takes Me" is catchy and easy on the ear; Neil delivers this without ever letting go of a single superfluous note and that's grand. The percussion and the piano are well used in the musical arrangement, too. "Hungry Years" gets a most sensitive treatment from Neil Sedaka; the music fits perfectly with his singing but wisely it never drowns him out; you'll never have to strain just to hear the words that Neil is singing. "Queen of 1964" is also rather special; Neil performs this flawlessly. "Rock & Roll Wedding Day" has a terrific sound to it that's very sweet and pretty; and I like "Bad Blood" which Neil sings with Elton John. "Breaking Up Is Hard to Do" is easily a major highlight of this album; this version of "Breaking Up Is Hard to Do" shines brighter than silver and gold in Neil's capable hands! "Lonely Night (Angel Face)" features Neil squarely front and center; he makes this really special with his signature style and sophisticated phrasing. "Standing on the Inside" is very well done; and there's yet another gem in "The Other Side of Me" with its fine musical arrangement. "The Other Side of Me" is a big tune on this CD. "Steppin' Out" rocks without being too hard; and "You Gotta Make Your Own Sunshine" is really awesome when Neil Sedaka delivers this to perfection--and beyond! "You Gotta Make Your Own Sunshine" charms me with its natural beauty. "Little Brother" has a fine beat to it; and the duet between Neil and his daughter Dara entitled "Should've Never Let You Go" really shines. The album ends with "Our Last Song Together" and this rounds out the album very nicely. Neil Sedaka is a giant and one of the very best entertainers the world has ever seen; and we are all so much better off for his having shared his talent with us. As of the time I am writing this, Neil is still touring--catch him in concert if you can! I highly recommend this CD for his fans and even newcomers just discovering Neil's artistry would do well to get this CD. | ||
 | Tommy Edwards - It's All in the Game | |
| "Tommy could sing the phone book and make it sound terrific" | 2009-09-07 |
| Tommy Edwards sang wonderfully; and his contribution to the arts is criminally underrated. Tommy always gave so much of himself to make his singing full of genuine, deep emotion and sensitivity; and his voice is just a joy to hear even after all these years. This is great music! In addition, the quality of the sound on this CD is excellent and I like the artwork a lot.
The album starts with the title track which was also a big, big hit for Tommy, "It's All in the Game." Although the backup singers harmonize flawlessly, Tommy never really needed it; his voice is strong and beautiful and Tommy makes this ballad shine! I love it. "Please Love Me Forever" charms me with its natural romantic beauty; Tommy handles complex tempo and key changes like the pro he was and still remains! "Please Love Me Forever" is a great highlight of this album. "Please, Mr. Sun" is terrific in Tommy's capable hands; he is squarely front and center which is right where he belongs! "The Morning Side of the Mountain" is another pretty melody that goes easy on the ears; and listen for Tommy to outdo even himself on the stunning "My Melancholy Baby." Tommy's excellent diction bolsters his performance all the more, too. I like the arrangement for "It's Only the Good Times" and "I've Been There" is flawless. The mono version of "Honestly and Truly" is perfect for dancing all alone late at night with your sweetheart--this is fine romantic music. It amazes me every time I hear it. "Don't Fence Me In" gets the royal treatment from Tommy Edwards who does an energetic cover of this ballad with panache; and Tommy aces "I Really Don't Want to Know" seemingly effortlessly. Of course, we know it really wasn't all that easy; Tommy's talent carried him through. "Vaya Con Dios (May God Be with You)" is absolutely wonderful; the music that plays fits perfectly with Tommy's vocals and that's grand. The rechanneled version of "Take These Chains from My Heart" stuns me with its beauty; and those backup singers perform faultlessly. "Mr. Music Man" features Tommy finessing the lyrics to perfection--and beyond! "Blue Heartaches" has Tommy delivering yet another ballad without ever letting go of a single superfluous note; and the CD ends very nicely with Tommy Edwards performing mono versions of "Secret Love" and "It's All In The Game." Tommy Edwards deserves so much more recognition and praise than he gets these days. I hope that with continued sales of CDs like this one he will be recognized widely once more for being what he truly was--one of the greatest male crooners ever. I highly recommend this for Tommy's fans; and people just getting to know the magical artistry of Tommy Edwards would do well to get this for their music collections. | ||
 | Creedence Clearwater Revival - "Creedence Clearwater Revival - Chronicle, Vol. 1: The 20 Greatest Hits" | |
| "music that stands the test of time with a vengeance" | 2009-09-06 |
| Creedence Clearwater Revival made so much good music that they could never put all their best hits on just a single CD; their fans will be happy to know that there's a second Chronicle CD with hits as well as quite a few more CDs of their tunes to boot! John Fogarty's vocals are never less than perfect--and wow, how he could write a song! Creedence Clearwater Revival performed with a style and a sound all their own; and their music sounds just as good today as it did when it was originally released. In addition, the quality of the sound on this CD is excellent and that artwork is very well done.
"Susie Q" starts the album with a great number; these guys do this without ever missing a beat! The music is great for dancing or listening even today; and that's terrific! The band also does an outstanding cover of "I Put a Spell on You;" they put their stamp on this number by changing some of the keys and adding a few subtle tempo changes during the song. "I Put a Spell on You" is awesome! "Proud Mary" is one of their best ever; and I could never tire of hearing Creedence Clearwater Revival perform this number without ever letting go of a single superfluous note! "Proud Mary" is a major highlight of this CD. "Bad Moon Rising" gets its strength from fine music and singing; I really like this tune and it deserves its place on this album. "Green River" features the band in their natural element--singing and playing great rock and roll music with maybe just a little touch of country in that guitar arrangement. "Green River" rocks! "Down on the Corner" was always one of my favorite numbers by this group; this leaves nothing to be desired--the music is all THAT good. In addition, listen for the classic, ferocious "Fortunate Son;" what a great tune! Creedence Clearwater revival really shows them how it's done with numbers like these. "Travelin' Band" has a great beat that rocks hard; and there's yet another jewel in "Who'll Stop the Rain." "Who'll Stop the Rain" has a masterful arrangement and this is Creedence Clearwater Revival at their finest. "Up Around the Bend" is another rockin' tune; and I really like "Lookin' out My Back Door." Great! "Long as I Can See the Light" has a most sensitive arrangement that works wonders for this ballad; and there's quite a strong, memorable rendition of "I Heard It through the Grapevine." "Have You Ever Seen the Rain?" impresses me greatly; they bat this straight out of the ballpark! "Sweet Hitch-Hiker" really rocks great and the CD ends strong with Creedence Clearwater Revival doing "Someday Never Comes." "Someday Never Comes" blows my mind and it leaves me wanting more! Creedence Clearwater Revival will always be one of the very best rock bands ever; and albums like this one prove it. This is a must-have for their fans; and anyone just discovering their artistry would do well to add this CD to their collections. This is rock and roll in all its glory, occasionally mixed with awesome rockabilly and/or Southern rock. It just doesn't get better than this. | ||
 | Sergio Mendes & Brasil '66 - Four Sider | |
| "elegant music that will always be in style" | 2009-09-05 |
| Sergio Mendes & Brasil '66 made some of the most beautiful music I've heard ever; an album like this is an absolute must-have for any Sergio Mendes fan. Lani Hall and Janice Hansen sing faultlessly, too. This CD overall has an irresistible pop Brazilian flavor to it that makes it tough not to push the "play" button on your CD player right after you finish listening to it; this music is all THAT good. In addition, the quality of the sound on this CD is excellent. The artwork is quite well done; it's even faithful to the cover artwork of the record album release of this CD.
The CD opens up with Sergio Mendes and Brasil '66 doing a fantastic rendition of "Mais Que Nada;" they make this sound better than ever and the musical arrangement is sophisticated and elegant at once. There's also a fine medley of "One Note Samba" and "Spanish Flea;" I really like this track even though you wouldn't initially think that these two songs could be fused together and still sound well. Let me reassure you--these talented people pull it off without a hitch! "Mira Alrededor (Look Around)" has a fine bossa nova style arrangement; the percussion adds a lot to the melody and it's great for easy listening as well. Sergio Mendes & Brasil '66 also do a splendid cover of "(Sittin' On) the Dock of the Bay;" they deliver this without ever skipping a beat and I'm very impressed. "With A Little Help from My Friends" sounds terrific when these artists bat it straight out of the ballpark; this is clearly a major highlight of this album and I would like to think The Beatles approved this rendition of their ballad! "The Look of Love" sparkles brighter than silver and gold when Sergio Mendes & Brasil '66 perform it; Dusty Springfield just may have to look out! (Nah, Dusty can hold her own any day, too.) There's another Beatles cover as they perform a creative treatment of "Norwegian Wood;" and there's yet another gem in "Wave" written by the great Antonio Carlos Jobim. I love it! "Chelsea Morning" is very well done; the music fits perfectly with the vocals but wisely the vocals remain squarely up front--you never have to strain or guess what they are singing. "The Fool on the Hill" is another shining Beatles cover; and "Day Tripper" ranks high in my book, too. "Crystal Illusions (Memorias De Marta Sare)" gets a most sensitive treatment from Sergio Mendes & Brasil '66; they make it seem so easy but of course we know it really wasn't. Their talent carried them through. "Ye Me Le" is very pretty; and "Promise of a Fisherman" is quite well done as well. The CD ends strong with Sergio Mendes & Brasil '66 performing "After Sunrise." The guitars on this tune really enhance the melody and the singing charms me with its natural beauty. Sergio Mendes & Brasil '66 do nothing but perform outstanding music on this album; it's great for Sergio Mendes fans. In addition, people who like Lani Hall and Janice Hansen, the ladies who sing on this album, would do well to get this for their music collections. This is a fine bossa nova pop CD. | ||
 | Kramer vs. Kramer | |
| "outstanding, taut and riveting drama that grabs you by the throat and never lets you go until the ending" | 2009-09-04 |
| Kramer vs. Kramer provides us with a timeless snapshot of what custody battles are like after a messy divorce. Although there are a few things in the movie that are a little dated (phone with dials, Checker type New York City taxicabs, the fashions, and salaries that were once considered quite good when in our times they would be way too low to afford a nice apartment in Manhattan), the fundamental story remains relevant and the issues have changed little. In addition, the acting is absolutely convincing in Kramer vs. Kramer; you couldn't ask for better--Dustin Hoffman and Meryl Streep deserved their Oscars. The musical score for the film enhances it, too; and I like the choreography as well as the fine cinematography.
When the action starts in New York City, we see the highly stressed out Joanna Kramer (Meryl Streep) walking out on her husband Ted (Dustin Hoffman) and their seven year old son Billy (Justin Henry). Ted calls Joanna's friend Margaret (Jane Alexander) as he thinks Joanna will be with her friend and then come right back home--after all, she didn't even take her suitcase! Unfortunately, Joanna simply disappears and Ted is left to care for his son while holding down a demanding job when he is finally beginning to climb the corporate ladder big time. Initially, Ted and his son Billy don't always have things easy, but as time goes by they form a touching bond and they love each other very much. As time passes, Ted is tested many times and I came to sympathize with him a great deal. We see him panic and run with Billy in his arms to a hospital emergency room when Billy falls off the neighborhood park's jungle gym and requires a few stitches. Ted and Billy share very tender moments when Ted reads bedtime stories every night to Billy. Ted also slowly but surely forms a bond of friendship with Joanna's now former friend Margaret; they often chat with each other on the park bench as their children play close by. However, all this is threatened when Joanna unexpectedly moves back to New York. Almost a year and one-half later, Joanne now wants custody of their son Billy. Ted is incensed and refuses; thus Joanna starts a custody battle in the court system. Ted gets lawyer John Shaunessy (Howard Duff) to represent him although Shaunessy tells Ted it's going to be tough to win the custody battle because judges always favor giving custody to the woman--even if the woman once walked out on her own child. Questions remain, however. What happens when Ted's boss suddenly lets Ted go--how will Ted be able to find a good paying job in twenty-four hours so that he has at least a slim chance of keeping custody of his son? To what degree with Joanna and her lawyer go to defame Ted's character? How will Margaret be able to help or hinder Ted in the courtroom custody trial? No plot spoilers--watch and find out! The DVD comes with a terrific documentary about the making of the film. Kramer vs. Kramer will stay in your mind long after you see it; it's extremely poignant and moving with just a little bit of comedy that makes it as realistic as possible. I highly recommend this film for people interested in the themes presented and played out in this movie; and fans of the actors would do well to add this to their collections. | ||
 | Kramer vs. Kramer | |
| "outstanding, taut and riveting drama that grabs you by the throat and never lets you go until the ending" | 2009-09-04 |
| Kramer vs. Kramer provides us with a timeless snapshot of what custody battles are like after a messy divorce. Although there are a few things in the movie that are a little dated (phone with dials, Checker type New York City taxicabs, the fashions, and salaries that were once considered quite good when in our times they would be way too low to afford a nice apartment in Manhattan), the fundamental story remains relevant and the issues have changed little. In addition, the acting is absolutely convincing in Kramer vs. Kramer; you couldn't ask for better--Dustin Hoffman and Meryl Streep deserved their Oscars. The musical score for the film enhances it, too; and I like the choreography as well as the fine cinematography.
When the action starts in New York City, we see the highly stressed out Joanna Kramer (Meryl Streep) walking out on her husband Ted (Dustin Hoffman) and their seven year old son Billy (Justin Henry). Ted calls Joanna's friend Margaret (Jane Alexander) as he thinks Joanna will be with her friend and then come right back home--after all, she didn't even take her suitcase! Unfortunately, Joanna simply disappears and Ted is left to care for his son while holding down a demanding job when he is finally beginning to climb the corporate ladder big time. Initially, Ted and his son Billy don't always have things easy, but as time goes by they form a touching bond and they love each other very much. As time passes, Ted is tested many times and I came to sympathize with him a great deal. We see him panic and run with Billy in his arms to a hospital emergency room when Billy falls off the neighborhood park's jungle gym and requires a few stitches. Ted and Billy share very tender moments when Ted reads bedtime stories every night to Billy. Ted also slowly but surely forms a bond of friendship with Joanna's now former friend Margaret; they often chat with each other on the park bench as their children play close by. However, all this is threatened when Joanna unexpectedly moves back to New York. Almost a year and one-half later, Joanne now wants custody of their son Billy. Ted is incensed and refuses; thus Joanna starts a custody battle in the court system. Ted gets lawyer John Shaunessy (Howard Duff) to represent him although Shaunessy tells Ted it's going to be tough to win the custody battle because judges always favor giving custody to the woman--even if the woman once walked out on her own child. Questions remain, however. What happens when Ted's boss suddenly lets Ted go--how will Ted be able to find a good paying job in twenty-four hours so that he has at least a slim chance of keeping custody of his son? To what degree with Joanna and her lawyer go to defame Ted's character? How will Margaret be able to help or hinder Ted in the courtroom custody trial? No plot spoilers--watch and find out! The DVD comes with a terrific documentary about the making of the film. Kramer vs. Kramer will stay in your mind long after you see it; it's extremely poignant and moving with just a little bit of comedy that makes it as realistic as possible. I highly recommend this film for people interested in the themes presented and played out in this movie; and fans of the actors would do well to add this to their collections. | ||
![Anne Murray - Love Songs [Pair]](product_images/1251000/1251065_thumb.jpg) | Anne Murray - Love Songs [Pair] | |
| "love songs performed by one of the best--BRAVO, ANNE MURRAY !!!" | 2009-09-04 |
| Love Songs is a beautiful, classic album by Anne Murray; both newcomers to Anne's artistry as well as diehard fans will be charmed by this release. The CD features Anne in her natural element, singing pop and country songs about love with all the good and the bad that can come with love. The quality of the sound is very, very good and I like the artwork.
"What's forever For" is the first song on this album; Anne delivers this with panache and I'm very impressed. Anne truly goes deep into the meaning of the lyrics to bring out and express every single nuance of the lyrics as she sings them; and this makes her performance shine particularly bright. I love it! "What's forever For" has a fine arrangement with music that fits perfectly with Anne's vocals; and this makes it a strong starter song. "You're a Part of Me" charms me with its natural beauty; just as another reviewer notes it's songs like this that will indeed stick in your head! Anne's cover of "Dream Lover" has her squarely front and center; this is a major highlight of the album and it's amazing. "It Should Have Been Easy" has Anne delivering this wonderfully; she sings this to perfection--and beyond! The melody is easy on the ear and that country flavor works wonders for this ballad even if the lyrics aren't all that happy. "Just to Feel This Love from You" sounds strong and confident; Anne performs this without ever letting go of a single superfluous note and that's grand. In addition, there's Anne singing her heart out on "The Tennessee Waltz;" "The Tennessee Waltz" is a number I first heard on a Patti Page CD and I think Patti would approve of Anne's outstanding rendition of this ballad. Anne sings this with passion and great sensitivity; and it's clearly another gem on this album. "Let's Keep It That Way" has a stunning arrangement and Anne Murray sings this with both style and grace; it's very memorable and I also really like "We Don't Make Love Anymore." "We Don't Make Love Anymore" is very poignant and Anne does this very well. There's yet another highlight in the final song on the album, "(He Can't Help It If) He's Not You." "(He Can't Help It If) He's Not You" showcases Anne singing marvelously; and that country twist makes it very special. Anne Murray's talent over the years remains a constant and a treasure; this is a must-have for her fans. We are all better off for Anne sharing her gift with us; and hopefully she'll continue to perform for many years to come. | ||
 | Harry Connick Jr. - Come by Me | |
| "an absolute delight to enjoy over and over again" | 2009-09-03 |
| Harry Connick Jr. rightfully deserves the spotlight; he is a masterful artist who endears himself to fans with his incredible performances in person or on CD. This album is certainly a must-have for Harry's fans; he's in great form here and just one listen proves it! The quality of the sound on this CD is excellent and that artwork is very nicely done.
"Nowhere With Love" starts the set of songs with Harry swinging gently to make this number shine! The music that plays really compliments Harry's vocals but wisely the musicians never even try to steal the stage away from Harry--he's standing squarely front and center which is right where he belongs! The music makes good use of the brass, too. "Come by Me," the album title song, features Harry performing to perfection--and beyond! That piano playing is faultless and Harry does this one up right! He never sings a superfluous note and that's grand--what a number! Harry is truly a great songwriter; "Come by Me" is outstanding in every way. "Charade" gets the royal treatment from Harry Connick Jr. whose excellent diction bolsters his performing all the more; the big band style musical arrangement works wonders for this classic song. Great! "Change Partners" has Harry crooning at his very best; and he handles complex tempo and key changes like a pro. I'm very impressed. "Time After Time" has Harry delivering this most passionately with a very sensitive treatment; the music and Harry's singing make this a fine rendition of "Time After Time." "Next Door Blues" has a rather lush arrangement and it all holds its own very well; and listen for Harry to outdo even himself on "Easy to Love." "Easy to Love" is very elegant and it's another major highlight of this album. Of course, "There's No Business like Show Business" is quite strong and memorable also in Harry's capable hands! "There's No Business like Show Business" shines brighter than silver and gold when Harry injects this with his own style and genuine emotion; I love Harry Connick Jr.'s rendition of this timeless ballad. "Danny Boy" is very well done; and I really like "Cry Me a River" with its New Orleans influenced musical arrangement--this is yet another gem on this album and it's worth the price of admission all by itself! The CD ends well, too, with Harry Connick, Jr. performing "Love for Sale." "Love for Sale" gets a spirited arrangement and it leaves me wanting to just push play to listen to this CD all over again! Harry Connick Jr.'s talent makes "Come by Me" a remarkably fine and very special album that all of Harry's fans should add to their collections. People who are just getting into the artistry of Harry Connick, Jr. would do well to get this, too. | ||
 | Divine Trash | |
| "very, very good--as far as it goes, that is..." | 2009-08-31 |
| I first found out about John Waters when I was a high school student and a buddy of mine told me that his mother had taken him and his brother to see the movie "Polyester." We rented it one time and although I was somewhat startled, I was also interested enough to make a mental note of this man's name and I tried hard to track down a copy of "Polyester" for my own video collection. I didn't know much about John Waters' past but I thought he had a hit with "Polyester." I was also wondering if he had had more success with other films.
Flash forward several years. I was really happy to add "Polyester" to my DVD collection; and I loved `Hairspray" and "Cry-Baby" in particular. I knew more about John Waters than before and to learn even more about him I got this DVD and watched it. This movie does an excellent job of telling the story of John Waters; the interview footage with his family members, friends and colleagues is all extremely interesting. We get both recent and archival footage with Waters himself being interviewed as well. There's even footage of the last censor in Maryland, an elderly woman who is the only one interviewed in this film who dislikes John's work! We learn that he encouraged a whole subculture of would-be movie-makers to be confident about their abilities and make the movies that they really wanted to make. I can truly say I learned a lot about John Waters by watching this movie. There's also great, great footage with actors who worked with John and who starred in his films; I liked the interviews with Mink Stole, David Lochary and Edith Massey. The interview footage of the late actor Divine and footage of Divine's acting both onscreen and onstage is the film's tender tribute to this character actor. Unfortunately, however, although this was released in 1998 the film stops shortly after John's movie "Pink Flamingos" hit the theaters. I've seen "Pink Flamingos" and it is worthy of discussion; but I don't think that they should have gone into it in such detail here. I'm also left wondering why there's no mention of "Hairspray," which was a huge, huge coup for Waters and his stars--why this isn't given any time at all remains a mystery to me! It would have shown just how far John Waters as an unconventional, creative artist, always thinking outside of the box, became quite famous and probably wealthy. Wouldn't this have encouraged budding film-makers and artists even more? The extras are slight but they're informative. We get three sets of filmographies and awards for John Waters, Divine and Steve Yeager who produced this documentary in addition to doing some acting in a few films including "Pink Flamingos" and "Polyester." Overall, Divine Trash does an excellent job of telling John Water's unique and remarkable story; it's quite engaging, too. However, the film inexplicably stops with Pink Flamingos which was released in 1972 and I don't know why a documentary that was done in 1998 stops with John Waters' history in 1972. John was still living and he was experiencing greater success than ever before by 1998. Nevertheless, what we do get is excellent; and I do recommend this for John Waters' fans although it's not as complete a documentary as it really should be. In addition, people who like the stars in John's films will enjoy this. | ||
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