Reviews Written By: A2ZQ0IWH69117Pprovided by Amazon.com |
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| Denon AH-D2000 High Performance Over-Ear Headphones | ||
![]() | "Balanced and Versatile" | 2008-06-23 |
| The D2000 are great headphones for just about any musical genre. Frequency response is well balanced with plowing, authoritative bass, clean, smooth midrange (I cannot understand comments to the effect that the D2000 have "no mids"!) and detailed, extended highs. The D2000 have both an adroit quickness and a liquid smoothness, making them quite special to listen to. While they do benefit extremely well from a good, dedicated headphone amplifier (I'm currently using the Bada PH-12 and Darkvoice 337 to excellent effect), the Denon can sound ridiculously satisfying straight from a Walkman, the 1/8" jack from a mini-component system (JVC C-220C) or A/V receiver (Denon AVR-1905). The best, most versatile closed headphones I've ever tried, and one of the best headphones, period, that I've ever heard. | ||
| The Song of Bernadette | ||
![]() | "A Beautiful Account, Wonderfully Portrayed" | 2008-05-07 |
| As the Church Fathers say: "of the Blessed Virgin Mary, one can never have enough", and this film certainly bears that out. Great casting and top-grade performances make this an excellent film for the whole family, and a timely reminder of these Marian apparitions (people are still being healed at the miraculous spring at Lourdes). | ||
| SR225 | ||
![]() | "Great Introduction to Grado" | 2008-01-08 |
| After years of owning Sennheiser, AKG, Ultrasone, Ultimate Ears, Etymotic and Beyerdynamic, I finally tried the Grado SR-225. Needless to say, I am not disappointed. For the money the SR-225 offer a very dynamic, energetic, detailed and just plain fun listen. They sound very engaging and lively even powered by modest source gear, like my JVC FS-5000 Ultra Compact Component System. Vocals are so "there" and the music just bristles and bubbles up all around you.
All-in-all, for the money and with "regular" source gear, these are a no downside set of cans! I'm already looking into a pair of the 325i. : ) | ||
| Keely Smith - Keely Smith - The Best of The Capitol Years | ||
![]() | "The Quintessential Female Jazz Vocalist" | 2006-09-14 |
| Superb vocals, together with excellent big band arrangements and excellent song selections (I can't get enough of S'posin'). The more I listen to Keely's voice, the more I can hear almost every other notable female jazz vocalist's voice resident in hers (Keely's). Her vocals convey a purity and simplicity that's really hard to beat, together with intimate nuances that make each listen fresh and vibrant. This album was actually my introduction to this great jazz/pop lady of Cherokee heritage. She's unseated Anita O'Day--a feat I had deemed impossible until now--as my favorite female jazz vocalist. I think modern jazz/pop has lapsed into novelty, or vocal virtuosity, in lieu of the voice as an instrument serving musical beauty. Keely should be a lodestone and standard for today's jazz/pop meandering. | ||
| Truly Our Sister: A Theology of Mary in the Communion of Saints | ||
![]() | "Mariology It Ain't" | 2005-08-23 |
| I concur with another reviewer: get Luigi Gambero's "Mary and the Fathers of the Church," and, I might add, his follow-up work, "Mary in the Middle Ages." Read these two books alongside "Truly Our Sister. . .," then decide whether 15 or 16 centuries of organic, historically contiguous development of the Church's Marian doctrine by some of the finest minds and hearts the Church has ever produced--including Bridget of Sweden, or Johnson's glib, 21st century, feminist revisionism provides the better spiritual nourishment. The Blessed Virgin Mary stirs us to properly love her divine Son, bringing us into the intimate recesses of the Trinitarian love itself! Anything shy of that simply misses the point and leaves one painfully short-changed. | ||
| Kung Fu - The Punch of Death | ||
![]() | "Decent Kung Fu Fare" | 2005-08-18 |
| After a cricket match (no, not of the British kind: this is a fight between two crickets with guys betting on the winner) gives rise to a brawl, Fong Sai Yuk, depicted by Meng Fei, inadvertantly kills the young student of two local masters. In retaliation, the two masters (one is great with his fists, the other with his feet) pay a visit to Sai Yuk's house. Meanwhile Fong happens to be out with his friends getting into martial arts mischief. With Fong's dad killed and his mom beaten in the ensuing mayhem, I needn't tell you that the film falls into the classic revenge plot. In the process Sai Yuk is trained by his mom to avenge the death of his father and to rid the town of the two masters' tyranny. This all leads to a final showdown that is well worth the price of admission for this movie, in which Sai Yuk squares off against the two masters and their sinister father.
The Diamond Entertainment transfer is decent, and I enjoyed the film itself, with its typical revenge plot and training sequences, together with some enjoyable vestiges of comic and romantic relief. Meng Fei, as Fong Sai Yuk, does come across as rather arrogant and perhaps too care-free in light of the grave misdeed for which his character is responsible, though (admittedly, he did commit manslaughter at the outset of the story.) I suppose the loss of his father compensates, in some way, for Fong's general lack of conscience for his senseless violence. For the street price of about $3-$4, you can do a lot worse in the search for decent kung fu films. 4 stars (****). | ||
| Black Belt Theatre Double Feature - Amazing Masters / Shaolin Traitor | ||
![]() | "Shaolin Traitor Makes it Worthwhile" | 2005-08-10 |
| O.K., here is one, rare instance of a decent find amongst the more typical Ground Zero, Black Belt series duds.
(1) Shaolin Traitor The best Carter Wong film I've seen to date. Nice period story about a Shaolin temple endangered by a murderer within and political intrigue without. Although offering some respectable elements of mystery and some excellent fight scenes, there is some less than stellar unevenness to the offering: for example, the hero, facing a bevy of monks in battle, with his back against the wall, mentally recalls the words of his master: "Use the escape technique," then proceeds to fly away like superman! The unravelling of the mystery takes some sudden turns, too. The fight scene in the restaurant, where Carter Wong uses chopsticks, is one of the best. There is a female protagonist (whose name eludes me), who is great to watch, too, contributing a nice--but, alas, short-lived--scuffle with the arrogant princess. All-in-all, O.K., but not great (which is the way I feel about most Carter Wong films). The wirework (very obvious and not well done) spoiled a potentially better movie, I think. Three Stars (***). 2. Amazing Masters Offers many clips from classic kung fu films (even some scenes from Sonny Chiba's "Karate Warriors" with an audible soundtrack!). Narrated by Ken Howard. More of a discussion on the cinematic development of martial arts films than a look at the martial arts themselves. Rather lackluster kung fu fare overall. Two Stars (**). Average score = Three Stars, actually Two-and-a-half (**-1/2). | ||
| Hot Cool & The Vicious/He Has Nothing | ||
![]() | "Two Great Films, but only one of them stars Gordon Liu" | 2005-07-29 |
| Two fine, old-school king fu films. Note, however, only "He has Nothing but Kung Fu" stars Gordon Liu. What ploys distributers won't try to sell their items! (Also see my review of "Raiders of Buddhist Kung Fu.") "The Hot, the Cool and the Vicious" stars the great leg fighter, Tao-liang (Delon) Tan.
The former is about the son of a magistrate (Liu) who suffers from amnesia, and gets tangled up in the antics of a con-man (the guy who co-starred with Liu in "Dirty Ho"--a wonderful film!) and the injustices of a local crime ring. In the processs the amnesiatic and martial arts proficient Liu unwittingly becomes a Robin Hood-like character. As always, Gordon Liu delivers. This film lacks the "feel" of Liu's later Shaw Brothers productions, but it is still very worthwhile. **** The latter is about an honest, upright "sheriff" (Tan) of a Chinese town, a mysterious, transient ex-convict, a brothel keeper, a local crime boss and his counterfeiting ring. This film has a great American Western flair to it, and is my favorite Delon Tan film; even his English-dubbed voice is very suitable to him. Great fights, winsome characters, heroics, subplots and funny--but apt--dubbing mark this classic. The blond-haired villian sounds like he's talking through a tin can, but strangely it all seems to fit well in this film. I actually like this film more than "He has Nothing but Kung Fu." ***** (**** + *****)/2 = 4.5 stars. Top shelf for sure! | ||
| Raiders of Buddhist Kung Fu | ||
![]() | "Clueless, and Nearly Gordon Liu-less" | 2005-05-19 |
| A poorly filmed, poorly produced, poorly transferred, hard to make sense of, and deceptively billed feature. Gordon Liu, who plays an evil ruler, is given top billing, but appears in no more than 10 minutes of the movie, with barely 4 of those 10 minutes engaged in kung fu. The title, Raiders of Buddhist Kung Fu, seems to have no bearing at all on what happens in the storyline. It's apparent that Gordon Liu owed someone a favor, or desparately needed rent money that week. . . This movie definitely bears the imprint of Godfrey Ho, who directed it. Fight scenes are not well choreographed, with telegraphed punches and kicks, people beginning to fall before blows are even administered, choppy camera work and see-sawing battles where each party absorbs dozens of lethal blows, but shows no signs of their effect. Then there's that "goy-yoy-yoing" sound that accompanies the really telling blows. It's not until Gordon Liu fights, in the last few minutes of the movie, that a battle scene takes on any grace or realism--man, the guy was good! His ultimate demise is (literally) "for the birds," since it is glaringly obvious that the evil Liu is more than the match for the triumphing, good-guy/hero of the film. The dubbing offers ample comic relief, and in most cases carries the film along through its dry and redundant course. Most memorable line by Gordon Liu: "You're all a bunch of idiots!" The deceptive lure of Gordon Liu's name was the only thing that prompted me to purchase this film. His four-minute "cameo" probably wasn't worth the $3 I paid for the DVD, but at least I got another glimpse--brief as it was--of the inimitable Gordon Liu. | ||
| Bruce Li - The Invincible | ||
![]() | "Uneven Production, but with Loads of Kung-Fu Action" | 2005-05-17 |
| Lots of kung-fu action, many recognizable faces (Bruce Li, plus just about everybody who starred in Kung Fu, the Invisible Fist), and even familiar dubbed voices (the same guy who dubbed for Bruce Li in Blind Fists of Bruce). Aside from the sexploitation, ploddingly familiar plot elements, capitalization on just about every occasion to start a fight, and the advent of Malaysian bushmen--and even martial arts apes(!), the film packs plenty of extended fight scenes and decent kung-fu quips. A shoe-in for at least two Kung-Fu Theater Awards: (1) Best Death-dealing Noogie Administered to a Gorilla, and (2) Best Death Scene by a Gorilla. How the actors kept straight faces in the gorilla scenes is a testament to their severe physical, mental and emotional training: these scenes had me almost rolling on the floor with laughter. | ||
| Bruce Lee the Invincible | ||
![]() | "Uneven Production, but with Loads of Kung-Fu Action" | 2005-05-17 |
| Lots of kung-fu action, many recognizable faces (Bruce Li, plus just about everybody who starred in Kung Fu, the Invisible Fist), and even familiar dubbed voices (the same guy who dubbed for Bruce Li in Blind Fists of Bruce). Aside from the sexploitation, ploddingly familiar plot elements, capitalization on just about every occasion to start a fight, and the advent of Malaysian bushmen--and even martial arts apes(!), the film packs plenty of extended fight scenes and decent kung-fu quips. A shoe-in for at least two Kung-Fu Theater Awards: (1) Best Death-dealing Noogie Administered to a Gorilla, and (2) Best Death Scene by a Gorilla. How the actors kept straight faces in the gorilla scenes is a testament to their severe physical, mental and emotional training: these scenes had me almost rolling on the floor with laughter. | ||
| Bruce Lee The Invincible | ||
![]() | "Uneven Production, but with Loads of Kung-Fu Action" | 2005-05-17 |
| Lots of kung-fu action, many recognizable faces (Bruce Li, plus just about everybody who starred in Kung Fu, the Invisible Fist), and even familiar dubbed voices (the same guy who dubbed for Bruce Li in Blind Fists of Bruce). Aside from the sexploitation, ploddingly familiar plot elements, capitalization on just about every occasion to start a fight, and the advent of Malaysian bushmen--and even martial arts apes(!), the film packs plenty of extended fight scenes and decent kung-fu quips. A shoe-in for at least two Kung-Fu Theater Awards: (1) Best Death-dealing Noogie Administered to a Gorilla, and (2) Best Death Scene by a Gorilla. How the actors kept straight faces in the gorilla scenes is a testament to their severe physical, mental and emotional training: these scenes had me almost rolling on the floor with laughter. | ||
| Good Guys Wear Black | ||
![]() | "Diehard Norris Fans Can't Afford to be Without This One" | 2005-05-12 |
| Sure, this is a Grade-B movie in almost every sense of the term, but it gives the ardent fan a good glimpse into the beginnings of Chuck Norris' eventually fruitful film and television career. Admittedly, the plot is weak, the pace slow, the scripting thin and the action--at a dearth--borders on the comic, yet I find myself watching Good Guys Wear Black again. Why? Is it the one, monumental flying kick that Norris' character, John T. Booker, administers through the windshield of an oncoming car to his would-be assassin (a Vietnamese operative disguised with a blond wig and a Van Dyke!)? is it Norris' patently poor acting in the closing scenes, during which he tries to convey masculine anger through that slightly effeminate, nasality and sizzle in his voice? is it simply to see Lloyd Hanes smoking a cigar? or Jim Backus playing a doorman? or James Franciscus portraying a villainous candidate for U.S. Secretary of State? or the film's tired, 70's ideology? Who knows? This film's merit may very well stem from its lack thereof, which moves it into the more exclusive realm of "classic" Grade-B. In time, Chuck Norris has carved out a well-earned and well-deserved niche for himself in martial arts entertainment. Movies like Good Guys Wear Black serve as a gauge to measure just how far he's come--which is a long way. So, if you truly want to trace this development in Norris' acting career, this film is a must-see along the way. | ||
| Good Guys Wear Black | ||
![]() | "Diehard Norris Fans Can't Afford to be Without This One" | 2005-05-12 |
| Sure, this is a Grade-B movie in almost every sense of the term, but it gives the ardent fan a good glimpse into the beginnings of Chuck Norris' eventually fruitful film and television career. Admittedly, the plot is weak, the pace slow, the scripting thin and the action--at a dearth--borders on the comic, yet I find myself watching Good Guys Wear Black again. Why? Is it the one, monumental flying kick that Norris' character, John T. Booker, administers through the windshield of an oncoming car to his would-be assassin (a Vietnamese operative disguised with a blond wig and a Van Dyke!)? is it Norris' patently poor acting in the closing scenes, during which he tries to convey masculine anger through that slightly effeminate, nasality and sizzle in his voice? is it simply to see Lloyd Hanes smoking a cigar? or Jim Backus playing a doorman? or James Franciscus portraying a villainous candidate for U.S. Secretary of State? or the film's tired, 70's ideology? Who knows? This film's merit may very well stem from its lack thereof, which moves it into the more exclusive realm of "classic" Grade-B. In time, Chuck Norris has carved out a well-earned and well-deserved niche for himself in martial arts entertainment. Movies like Good Guys Wear Black serve as a gauge to measure just how far he's come--which is a long way. So, if you truly want to trace this development in Norris' acting career, this film is a must-see along the way. | ||
| SONY DVP-NS775V DVD / CD / SACD Player | ||
![]() | "Great Video/Mediocre Audio" | 2005-02-16 |
| I bought the SONY NS775V mainly for its 12bit/108MHz video DAC. It that respect, it did not disappoint. The 480P video from the SONY NS775V is significantly better than the video from my Panasonic S47. However, the (redbook CD) audio from the SONY leaves very much to be desired: it is tonally dry, texturally flat, harmonically bland and emotionally uninvolving. Compared with the Panasonic, there is, to my ears, no contest. (The Panasonic's 24/192 audio DACs, and its "Multi-Remaster" feature, make listening a true pleasure, giving redbook CD's an "analogue" richness, and adding believable presence to movie soundtracks.) For me, the audio contribution is at least equivalent to the video contribution in terms of generating a satisfying "cinematic" experience. It seems that the Panasonic better provides the former, and the SONY the latter. The dilemna for me is whether I am willing to make a significant (negative) tradeoff in audio quality for the sake of a better picture. Since, on average, I use my A/V system more for music listening than for movie watching, I lean more toward sacrificing better video for a the sake of gaining (much) better audio. If the SONY even came close in audio performance relative to the Panasonic, I would consider keeping it. But I would say that the disparity in audio performance between the two units is greater than their disparity in video performance. (I guess I've learned, too, through this experience that I'm more of an audiophile than I am a videophile.) Even after 30-40 hours of break-in, the redbook CD performance of the NS775V is extremely disappointing: the music sounds choked and utterly lifeless. The cold and distant nature of the audio while one is sitting down to watch a DVD takes a great deal of pleasure away from the movie experience, too. In addition, during my audition, the SONY did freeze up on, and eventually was unable to play, a DVD which had been no problem at all for my Panasonic S47. I'll probably end up getting the Panasonic S97, which is about 2x the price of the NS775V, but has Faroudja processing and an 11-bit/216MHz video DAC. The "best of both worlds" may indeed be possible, but will necessitate my spending the extra money. If you are restricted to the $100-125 price range, the following is advised: (a) If you have decidedly preferential, videophile tendencies, then get the SONY NS775V. (b) If you have preferential, audiophile tendencies (like me), then get the Panasonic S47. Happy Viewing/Listening! POSTSCRIPT: After 50+ hours of break-in, and sustained absence of the Panasonic, the NS775V sounds better, although it is never rid of that trademark, stark and overly candid sonic signature indicative of Sony. In addition, the SACD performance is respectable (again, after 50+ hours of break-in). Bottom line is that the video playback on the NS775V is VERY special for the price, and makes this unit well worth its salt. I will therefore add another star to my rating. 4-stars **** | ||
| BenQ PB6100 DLP Video Projector | ||
![]() | "A Simply Grand Entry into Home Theater" | 2004-09-30 |
| I recently purchased a refurbished BenQ 6100 from Tiger Direct for $749, and am very happy with it so far. The picture quality rendered from my Panasonic S47 progressive scan DVD player is excellent, especially with the Component Video-to-VGA (or "VESA") cable in use. With a pricetag of less than $1000, there is absolutely no reason to spend thousands more on a plasma screen TV whose viewing area is appreciably smaller than the 6100's typical projected image, and whose picture quality may not be appreciably better (than the 6100).
You just can't beat that "at the movies" feel of this projector, either. My wife and I relax with "Friday Night Theater" now, at the end of the work week. It's just a nice way to get close, share a big bowl of popcorn, and be romantic again! Oh, and yes, I do see the "rainbow" effect from time to time, although my wife doesn't. It's too infrequent to be a significant source of distraction to me, and I just chalk it up to the developing technology. The 6100 employs a 3x speed color wheel. I've read that the 4x speed color wheel virtually eliminates rainbows altogether. When BenQ releases a projector with price and performance comparable to the 6100, but with the 4x color wheel, I would certainly like to try it. If you have, and are willing to spend, the $1000 for a home theater projector, and your videophile tendencies are moderate (my downfall occurs in the realm of the audiophile), then the BenQ 6100 is "just the ticket." | ||
| Tai Chi II | ||
![]() | "Action-packed and Entirely Enjoyable" | 2004-09-07 |
| Tai Chi II, set during the time of British imperialism and the illegal opium trade, is one of the most action-packed and well-balanced non-"Old School" kung-fu films I have ever seen, ranking up there alongside Jet Li's "The Tai Chi Master."
The movie is cast well, with delightful and memorable characters. The main plot revolves around the illegal opium trade propogated by the British--to the detriment of the native Chinese, the general clash of cultural values and how various segments within Chinese society adapt to the western influence. Secondarily, there is a romantic side of the plot between the main character, the very lovely leading lady, and her fiance. The film also highlights the strength and interplay of Chinese family relationships--for those reacting to the western presence in different ways--in a wonderful way (remeniscent of the Fong Sai Yuk films with Jet Li). In the end, the moral mainstay of traditional Chinese culture wins the day with a very satisfying resolution of circumstances. The action choreography is quite well done (bravo! Yuen Woo-Ping!), making good use of multiple angles and very good use of slow motion to showcase the grace, power and superiority of Tai Chi. While there is limited use of wire, it is fairly well integrated with the rest of the fight sequence(s) and does not in any way detract from the general tone of the film, or eclipse the excellent emphasis on the Tai Chi methods. If at all possible, get the original Hong Kong import version of this film (I bought mine for $7.99 from EDay Movie: www.edaymovie.com). The picture and sound quality are top-knotch, even though the English subtitles display the occasional spelling or grammatical anamoly (which I have come to expect--and even to enjoy(!)--over the years). All tolled, a stellar offering that easily merits the top-shelf and quite possibly the top-ten in anyone's kung-fu movie collection! Along with The Tai Chi Master, Tai Chi II is easily one of the best non-"Old School" kung-fu film you are ever likely to see. | ||
| Tai Chi II | ||
![]() | "Action-packed and Entirely Enjoyable" | 2004-09-07 |
| Tai Chi II, set during the time of British imperialism and the illegal opium trade, is one of the most action-packed and well-balanced non-"Old School" kung-fu films I have ever seen, ranking up there alongside Jet Li's "The Tai Chi Master." The movie is cast well, with delightful and memorable characters. The main plot revolves around the illegal opium trade propogated by the British--to the detriment of the native Chinese, the general clash of cultural values and how various segments within Chinese society adapt to the western influence. Secondarily, there is a romantic side of the plot between the main character, the very lovely leading lady, and her fiance. The film also highlights the strength and interplay of Chinese family relationships--for those reacting to the western presence in different ways--in a wonderful way (remeniscent of the Fong Sai Yuk films with Jet Li). In the end, the moral mainstay of traditional Chinese culture wins the day with a very satisfying resolution of circumstances. The action choreography is quite well done (bravo! Yuen Woo-Ping!), making good use of multiple angles and very good use of slow motion to showcase the grace, power and superiority of Tai Chi. While there is limited use of wire, it is fairly well integrated with the rest of the fight sequence(s) and does not in any way detract from the general tone of the film, or eclipse the excellent emphasis on the Tai Chi methods. If at all possible, get the original Hong Kong import version of this film (I bought mine for $7.99 from EDay Movie: www.edaymovie.com). The picture and sound quality are top-knotch, even though the English subtitles display the occasional spelling or grammatical anamoly (which I have come to expect--and even to enjoy(!)--over the years). All tolled, a stellar offering that easily merits the top-shelf and quite possibly the top-ten in anyone's kung-fu movie collection! Along with The Tai Chi Master, Tai Chi II is easily one of the best non-"Old School" kung-fu film you are ever likely to see. | ||
| Tai Chi II | ||
![]() | "Action-packed and Entirely Enjoyable" | 2004-09-07 |
| Tai Chi II, set during the time of British imperialism and the illegal opium trade, is one of the most action-packed and well-balanced non-"Old School" kung-fu films I have ever seen, ranking up there alongside Jet Li's "The Tai Chi Master." The movie is cast well, with delightful and memorable characters. The main plot revolves around the illegal opium trade propogated by the British--to the detriment of the native Chinese, the general clash of cultural values and how various segments within Chinese society adapt to the western influence. Secondarily, there is a romantic side of the plot between the main character, the very lovely leading lady, and her fiance. The film also highlights the strength and interplay of Chinese family relationships--for those reacting to the western presence in different ways--in a wonderful way (remeniscent of the Fong Sai Yuk films with Jet Li). In the end, the moral mainstay of traditional Chinese culture wins the day with a very satisfying resolution of circumstances. The action choreography is quite well done (bravo! Yuen Woo-Ping!), making good use of multiple angles and very good use of slow motion to showcase the grace, power and superiority of Tai Chi. While there is limited use of wire, it is fairly well integrated with the rest of the fight sequence(s) and does not in any way detract from the general tone of the film, or eclipse the excellent emphasis on the Tai Chi methods. If at all possible, get the original Hong Kong import version of this film (I bought mine for $7.99 from EDay Movie: www.edaymovie.com). The picture and sound quality are top-knotch, even though the English subtitles display the occasional spelling or grammatical anamoly (which I have come to expect--and even to enjoy(!)--over the years). All tolled, a stellar offering that easily merits the top-shelf and quite possibly the top-ten in anyone's kung-fu movie collection! Along with The Tai Chi Master, Tai Chi II is easily one of the best non-"Old School" kung-fu film you are ever likely to see. | ||
| The Bodyguard | ||
![]() | "Cheated out of Chiba" | 2004-08-01 |
| This movie does not showcase Sonny Chiba's martial arts skill. Streetfighter was probably his best. This film has relatively few fight scenes, and they are nowhere near par with Streetfighter. In addition, the fight scenes are shot in dim, dark lighting, or at angles that obscure rather than reveal the fighting styles. I bought the Platinum DVD version of this film, which was not the best transfer quality, watched the movie twice, then swapped it in with a used dealer. | ||
| Dance of the Drunk Mantis/From China | ||
![]() | "Buy the Original Hong Kong Version, if at all possible" | 2004-04-16 |
| The "Black Belt Theater" series often leaves much to be desired. The transfer of Dance of the Drunken Mantis is so bleached out that the subtitles are often unreadable. Whenever the silver-haired Jang Lee appears, most of his face is indiscernable. What a waste of money! The picture quality on From China with Death (which is dubbed) is also horrible, but due to cropping and the dirty, VHS "original" that was used. I have learned my lesson with "Black Belt Theater": I won't buy that title again. My advice is that you go to a Hong Kong Imports film distributer and try to find ALL your kung-fu films there. Unfortunately, the vast majority of the really good, re-masters of the best martial arts films (per their original HK release version) are Region 3 encoded. | ||
| Johann Sebastian Bach ,Helmut Walcha - Bach: Great Organ Works | ||
![]() | "THIS is the Bach to Get" | 2003-06-10 |
| Walcha is the only organist I have ever heard who comes any where near tapping the immensity of Bach's genius, most evident in the organworks. Some of these renderings I have listened to for literally days on end without fatigue. Walcha's performances are rid of the "fluff" and so-called scholarly-interpretative rigga-morole that infests most others'. I shudder to think that those who dismiss Walcha's exemplary efforts as "out-dated" (like our punitive Ph.D) would also have us believe that the discordant, atonal wreckage being palmed off as modern composition is also "music," something most of us simply endure to warrant the price of our concert tickets, yet never remember or make the least effort to purchase a recording of. Bach, through Walcha, reminds us that Order and Discipline, born from Divine Inspiration--not arbitrariness and scholarly license, constructed by human pride--beget Art and Beauty. And it is Art and Beauty which endure, not up-to-dateness and needless innovation. | ||
| Screaming Ninja | ||
![]() | "Worthwhile Movie, but Poor Transfer to DVD" | 2003-03-27 |
| After watching Jimmy Wang Yu in "Blood of the Dragon," I couldn't pass this one up. My chief gripe is that the transfer to (Platinum Disc) DVD is very poor: the film is very dark and, consequently, dim and often featureless. (I was misled by Platinum's claim on the cover case that the film was "Digitally Mastered," mistakenly thinking I would see a clean, clear, restored print. No such luck!) Wang's character has a real attitude, and rubs elbows with some other interesting supporting characters, adding some arresting twists to an otherwise "stock" revenge plot. The action sequences are frequent and, for the most part, worthwhile. Although I thought the final fight scene was a bit drawn out (like an old American western fight scene), repetitive and bordering on the tedious; and, frankly, not all that satisfying. I liked Jimmy Wang Yu in this film, but not as much as I liked him in Blood of the Dragon. I would award Screaming Ninja 4 stars, if the picture quality were better. As-is, however, second shelf status. | ||
| Screaming Tiger | ||
![]() | "Worthwhile Movie, but Poor Transfer to DVD" | 2003-03-26 |
| After watching Jimmy Wang Yu in "Blood of the Dragon," I couldn't pass this one up. My chief gripe is that the transfer to (Platinum Disc) DVD is very poor: the film is very dark and, consequently, dim and often featureless. (I was misled by Platinum's claim on the cover case that the film was "Digitally Mastered," mistakenly thinking I would see a clean, clear, restored print. No such luck!) Wang's character has a real attitude, and rubs elbows with some other interesting supporting characters, adding some arresting twists to an otherwise "stock" revenge plot. The action sequences are frequent and, for the most part, worthwhile. Although I thought the final fight scene was a bit drawn out (like an old American western fight scene), repetitive and bordering on the tedious; and, frankly, not all that satisfying. I liked Jimmy Wang Yu in this film, but not as much as I liked him in Blood of the Dragon. I would award Screaming Ninja 4 stars, if the picture quality were better. As-is, however, second shelf status. | ||
| Shaolin Challenges Ninja | ||
![]() | "Great Fun! Get This One!" | 2003-02-22 |
| This is undoubtedly one of my favorite Gordon Liu films, as well as one of my favorite kung fu films of all time. Like another reviewer, I have watched his movie several times without tiring of it in the least. The beginning is full of the comedy of differences and humorous rivalry between a young Chinese man (Liu), who is proficient in Chinese boxing, and his new Japanese bride, who is proficient in Japanese fighting; along with the misdeeds of a meddlesome servant who manages to incite even more difficulty between the spouses. The rivalry turns into a formal challenge, as a cadre of Japanese fighters: experts in--among other things--Bushido, Karate, Ju-Jitsu and Ninjitsu, visit the character portrayed by Liu, to defend the wounded pride of his wife, which translates to their own pride in the (alledged superiority of) Japanese martial arts. Liu then faces off against each of seven Japanese fighters in a series of very entertaining matches. Liu carefully chooses the appropriate Chinese weaponry and/or fighting style prior to meeting each of the challenges (the ju-jitsu match has its own surprises, though!), then engages. Good, clean (and informative) fun! No blind revenge, no death matches or victims coughing up blood, just a wholly enjoyable look at two competing styles within the context of 7 challenges, each of which affording the contestants new insight, appreciation and respect for each other: the elegant, diverse repertoire of Chinese martial arts styles pitted against the powerful, efficient styles of the Japanese. And in the meantime, the marriage relations get better! Top-shelf, top-of-the-list entertainment for every devotee of "old-school" kung fu films. | ||
| Shaolin Challenges Ninja | ||
![]() | "Great Fun! Get This One!" | 2003-02-21 |
| This is undoubtedly one of my favorite Gordon Liu films, as well as one of my favorite kung fu films of all time. Like another reviewer, I have watched his movie several times without tiring of it in the least. The beginning is full of the comedy of differences and humorous rivalry between a young Chinese man (Liu), who is proficient in Chinese boxing, and his new Japanese bride, who is proficient in Japanese fighting; along with the misdeeds of a meddlesome servant who manages to incite even more difficulty between the spouses. The rivalry turns into a formal challenge, as a cadre of Japanese fighters: experts in--among other things--Bushido, Karate, Ju-Jitsu and Ninjitsu, visit the character portrayed by Liu, to defend the wounded pride of his wife, which translates to their own pride in the (alledged superiority of) Japanese martial arts. Liu then faces off against each of seven Japanese fighters in a series of very entertaining matches. Liu carefully chooses the appropriate Chinese weaponry and/or fighting style prior to meeting each of the challenges (the ju-jitsu match has its own surprises, though!), then engages. Good, clean (and informative) fun! No blind revenge, no death matches or victims coughing up blood, just a wholly enjoyable look at two competing styles within the context of 7 challenges, each of which affording the contestants new insight, appreciation and respect for each other: the elegant, diverse repertoire of Chinese martial arts styles pitted against the powerful, efficient styles of the Japanese. And in the meantime, the marriage relations get better! Top-shelf, top-of-the-list entertainment for every devotee of "old-school" kung fu films. | ||
| Shaolin Challenges Ninja | ||
![]() | "Great Fun! Get This One!" | 2003-02-21 |
| This is undoubtedly one of my favorite Gordon Liu films, as well as one of my favorite kung fu films of all time. Like another reviewer, I have watched his movie several times without tiring of it in the least. The beginning is full of the comedy of differences and humorous rivalry between a young Chinese man (Liu), who is proficient in Chinese boxing, and his new Japanese bride, who is proficient in Japanese fighting; along with the misdeeds of a meddlesome servant who manages to incite even more difficulty between the spouses. The rivalry turns into a formal challenge, as a cadre of Japanese fighters: experts in--among other things--Bushido, Karate, Ju-Jitsu and Ninjitsu, visit the character portrayed by Liu, to defend the wounded pride of his wife, which translates to their own pride in the (alledged superiority of) Japanese martial arts. Liu then faces off against each of seven Japanese fighters in a series of very entertaining matches. Liu carefully chooses the appropriate Chinese weaponry and/or fighting style prior to meeting each of the challenges (the ju-jitsu match has its own surprises, though!), then engages. Good, clean (and informative) fun! No blind revenge, no death matches or victims coughing up blood, just a wholly enjoyable look at two competing styles within the context of 7 challenges, each of which affording the contestants new insight, appreciation and respect for each other: the elegant, diverse repertoire of Chinese martial arts styles pitted against the powerful, efficient styles of the Japanese. And in the meantime, the marriage relations get better! Top-shelf, top-of-the-list entertainment for every devotee of "old-school" kung fu films. | ||
| The Massive | ||
![]() | "Good Mystery Plot, but Poorly Filmed" | 2003-01-31 |
| The film offered a respectable mystery plot, with lots of unexpected twists, right up to the end. However, as another reviewer has already noted, the fight scenes were filmed "off-center," clipped, or at strange camera angles, which I found for the most part distracting, removing most of the impact that these scenes might otherwise have offered. For example, it wasn't unusual to see most of the figure of one of the fighters, but perhaps only the hand or foot of his opponent, in many of the fight scenes. I bought this film on DVD. The quality of the video and audio transfer is o.k., considering what the producers probably had to work with (without digitally re-mastering). Being a die-hard kung-fu movie fan, I will no doubt watch The Massive again, but will store it on my second or third shelf. | ||
| Blood Of The Dragon | ||
![]() | "A Classic in Every Way" | 2003-01-31 |
| This movie offers a great sense of character and storyline realism in the way it was filmed. Everything: the casting, the fight scenes, the plot, the original musical score--even the dubbing--comes together quite well in this movie. Wang Yu portrays a lone fighter, "the White Dragon," who expertly wields a silver spear and gives allegience to no one. However, his fateful involvement with a young boy and pretty inn keeper place him on a true hero's path of interior change and even transcendence, through the situations he finds himself in while helping these two. In addition to the merits of the film itself, for the price,... it is easily one of the best bargains among the many martial arts films I have purchased. The video transfer on my Platinum Video version of the DVD is a bit soft, but still acceptable. Top shelf all the way! Blood of the Dragon rightfully deserves to be on the "top ten" list of many a serious subscriber to this movie genre. | ||
| Return to the 36th Chamber | ||
![]() | "You can't Lose with Gordon Liu" | 2002-11-20 |
| The more I watch Gordon Liu, the more I like him, not only for his excellent martial arts abilities, but also for his expressive acting abilities (even though constrained--or enhanced(?)--by the dubbing), which this film showcases. Liu plays a winsome, selfish con-man who in the course of the story unwittingly masters a very unique kung-fu style and overcomes his selfishness, but who does not lose the vitality of the character he portrays (with a sort of easy-going brashness) in the process. This film genuinely made me laugh! And that is not a frequent event for me while watching movies--even intentional comedies. Liu vents a natural, unforced humor, that carries the story along and even cheerfully colors his fights; he's funny without, apparently, trying to be. This is one of my all-time favorite kung-fu films for hero portrayal and development. Top shelf, for sure! | ||
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